Bells Are Ringing

A TAMS-WITMARK TITLE

Bells Are Ringing

Full-Length Musical, Comedy  /  3w, 3m

Book and Lyrics by Betty Comden and Adolph Green
Music by Jule Styne

Entire Original Production Directed by Jerome Robbins
Dance and Musical Numbers of Original Production Staged by Jerome Robbins and Bob Fosse
Produced on the Broadway Stage by The Theatre Guild

A delightful showcase for a singing comedienne, Bells Are Ringing is a charming musical comedy about the romantic exploits of a telephone answering service operator.

Image: 2010 New York City Center Production (Joan Marcus)

  • Cast Size
    Cast Size
    3w, 3m
  • Duration
    Duration
    More than 120 minutes (2 hours)
  • SubGenre
    Subgenre
    Romantic Comedy
  • Audience
    Target Audience
    Appropriate for all audiences
Accolades
Accolades
  • Winner! Two 1957 Tony Awards, for Best Actress and Best Featured Actor
    Nominee: Four 1957 Tony Awards, including Best Musical
    Winner! 1957 Theatre World Award (Sydney Chaplin)
    Nominee: Two 2001 Tony Awards, including Best Revival of a Musical
    Nominee: Two 2001 Drama Desk Awards, including Outstanding Revival of a Musical
Bells Are Ringing

Details

Summary
This charming romantic comedy follows the exploits of Ella, a telephone answering service operator with a fascination for her client's private lives. At Susanswerphone, Ella uses a variety of voices and personae to keep herself entertained. As she follows the lives of her customers, Ella becomes inextricably involved with a handsome playwright, a fledgling record company, and a dangerous crime ring. Bells Are Ringing is a delightful showcase for a singing comedienne, filled with heart and humor. The tuneful score, with lyrics by Comden & Green, features some of Jule Styne's most popular songs, including "Just in Time," "The Party's Over," "Long Before I Knew You" and "Better Than a Dream."
History
Bells Are Ringing opened at Broadway's Shubert Theatre on November 29, 1956, starring Judy Holliday and Sydney Chaplin. It later transferred to the Alvin Theatre, running for a total of 924 performances. In 2001, the show was revived on Broadway starring Faith Prince.

Act I

It’s 1956, and busy New Yorkers use "Susanswerphone," a telephone answering service, to ensure they’ll never miss a phone call again (“Bells Are Ringing”). One operator at Susanswerphone, Sue’s cousin Ella Peterson, particularly enjoys listening in on people’s lives. Ella adds some interest to her own humdrum existence by adopting different identities – and voices – to serve her clients. Those clients include Blake Barton, an out-of-work Method actor, Dr. Kitchell, a dentist with musical yearnings but no talent, and struggling playwright Jeff Moss, who desperately needs a muse. Though she’s never laid eyes on him, Ella realizes she’s fallen in love with Jeff ("It's a Perfect Relationship").

Jeff struggles to finish writing The Midas Touch, the first play he's written since his collaborator departed ("Independent"). The night before an important 9 am meeting with his producer, Jeff calls Susanswerphone to request a wake-up call. He asks Ella – whom he regards only as “Mom,” a kindly old lady – for some creative inspiration (“You’ve Got To Do It”). Meanwhile, Sandor, Sue's rich boyfriend, reveals plans to a group of gangsters to use Susanswerphone as a bookmaking operation, by pretending to be a record seller and taking orders for "symphonies" as code ("It's a Simple Little System").

Ella sets off towards Jeff's apartment to help him write the play, but she is intercepted by a policeman who suspects that Susanswerphone is a front for an "escort service." Ella tells him she’s just helping someone in need ("Is it a Crime?") and he lets her go. When Ella arrives at Jeff's place at 7am, she discovers him asleep on his couch. He suddenly awakens, so Ella pretends claims to be his neighbor, Melisande, who mistakenly entered the wrong apartment. She helps motivate him to write his play and a romantic spark is lit (“Better Than A Dream”).

Jeff’s play is well received, so he and Melisande/Ella celebrate by greeting strangers on the street (“Hello, Hello There”). Jeff is smitten ("I Met a Girl"). Detective Francis, who continues to investigate Susanswerphone for fronting an escort service, follows Ella to Jeff’s apartment one night. In the apartment, Jeff and Melisande/Ella declare their love ("Long Before I Knew You"), and just as they embrace to kiss, Francis snaps a photograph.

Act II

As Ella anxiously anticipates an evening date with Jeff, her friend Carl calms her nerves with a sizzling dance ("Mu-Cha-Cha"). Ella meets Jeff in Central Park, where he serenades her in front of admiring crowds (“Just In Time”). Jeff takes Melisande/Ella to a fancy show biz party, where he proudly introduces her to the pretentious, rich guests ("Drop That Name"). Ella, feeling out of place, realizes that Jeff is in love with an illusion. She leaves without saying goodbye ("The Party's Over").

Sandor, in need of some cash to cover his racing debts, convinces Sue to lend him $6,000, and the two plan to run off together (“Salzburg”). Jeff, despondent over Melisande’s sudden departure, seeks her out at their favorite nightclub (“The Midas Touch”). At the club, Jeff, struggling actor Barton, and dentist-turned-musician Dr. Kitchell realize they’ve all been inspired by the same woman, but they don’t know how to reach her. They all exchange phone numbers, and Jeff leaves to find his Melisande. Police officers enter and immediately take Barton and Kitchell for questioning.

In Bay Ridge, Jeff has no luck finding Melisande. He calls Barton and Kitchell, reaching Susanswerphone both times. He finally puts it all together, realizing that Melisande is “Mom.”

At Susanswerphone, Ella decides that her life is too complicated, and she packs her backs to flee to her previous employer (“I’m Going Back”). Sandor, pursued by two henchmen, enters, wondering who changed his order for “Beethoven’s Tenth” to “Beethoven’s Ninth.” Ella admits she made the correction, since Beethoven only wrote nine symphonies. Francis and the police enter and arrest Sandor and the henchmen for operating a booking ring. Jeff arrives and declares his love for Ella/Melisande/Mom. As Ella’s other clients arrive, she introduces them – by phone number – and they all join in celebration (“Finale”).

Principals

Ella Peterson
Jeff Moss
Sue
Sandor
Carl
Carol

Supporting

Gwynne
Inspector Barnes
Francis
Dr. Kitchell
Blake Barton

Others

Larry Hastings
Telephone Man
Ludwig Smiley
Charles Bessemer
An Actor
Joey
Olga
Man from Corvello Mob
Other Man
Carol
Paul Arnold
Michelle
Master of Ceremonies
Singer at Nightclub
Waiter
Maître d’Hôtel
Police Officer
Madame Grimaldi
Mrs. Mallet

  • Time Period 1950s
  • Setting New York City, 1956.
  • Features Period Costumes
  • Duration More than 120 minutes (2 hours)

Media

“A bonafide hit!! It doesn't get much better than this.” – The Berkshire Edge

“Terrific songs and a fantastically kooky heroine.” – The Guardian

“Still holds up as smart, funny, and great fun… makes you wonder why it has not been revived more often… This is a show you can take everyone you know to see and feel certain they’ll walk out smiling.” – ArtsFuse

“Charming… an entertaining window onto what the traditional American musical looked and sounded like at the moment in time when rock ’n’ roll was muscling its way to permanent cultural primacy. – Boston Globe

“[A] tuneful gem… Styne's ‘up’ music for Bells is jazzy with a whiff of Gershwin, and the melodious ballad ‘The Party's Over’ has become a late standard in the American Songbook.” – Houston Press

Photos

  • Bells Are Ringing

    Image: 2010 New York City Center Production (Joan Marcus)

Music

Music Samples

Act I

1. Opening – Announcer & Ensemble
2. “It’s A Perfect Relationship” – Ella
3. Mambo Montage – Ella
4. “Independent” – Jeff & Ensemble
5. “You’ve Got To Do It” – Jeff
6. “It’s A Simple Little System” – Sandor & Ensemble
6a. Change of Scene – Orchestra
7. Change of scene – Orchestra
8. “Is It A Crime?” – Ella
8a. Change of Scene – Orchestra
9. “It’s Better Than A Dream” – Jeff
9a. Telephone Incidental – Orchestra
9b. Change of Scene to Subway – Orchestra
10. “Hello, Hello There” – Ella, Jeff, & Ensemble
10a. Change of Scene – Orchestra
11. “I Met A Girl” – Jeff & Ensemble
11a. Change of Scene – Orchestra
12. Change of Scene – Orchestra
12a. Drugstore Incidental – Orchestra
12b. Change of Scene – Orchestra
12c. Change of Scene – Orchestra
13. “Long Before I Knew You” – Ella & Jeff

Act II

14. Entr’acte – Orchestra
15. “Mu-Cha-Cha” – Ella, Carl, Carol, & Ensemble
     Dance – Carol Carl, & Dancing Ensemble
15a. Change of Scene – Orchestra
16. “Just In Time” – Jeff, Ella, & Ensemble
16a. Party Scene Incidental – Orchestra
17. “Drop That Name” – Ella & Ensemble
18. “The Party’s Over” – Ella & Ensemble
18a. Change of Scene – Orchestra
19. “Salzburg” – Sue & Sandor
19a. Night Club Incidental – Orchestra
19b. Fanfare – Brass
20. “The Midas Touch” – Singer, Boys & Girls
21. “Long Before I Knew You” (Reprise) – Jeff
22. “I’m Goin’ Back” – Ella
23. Finale – Orchestra
24. Curtain Music – The Company
25. Exit Music – Orchestra

Full Orchestration

Violin AC
Violin BD
Viola
Cello
Bass

Reed 1: Flute (or Clarinet), Clarinet & Alto Saxophone
Reed 2: Flute (or Clarinet), Piccolo (or Clarinet), Clarinet & Alto Saxophone
Reed 3: Oboe (or Clarinet), English Horn (or Clarinet), Clarinet & Tenor Saxophone
Reed 4: Clarinet, Tenor Saxophone, Baritone Saxophone (or Bass Clarinet) & Bass Clarinet
Reed 5: Clarinet, Bassoon (or Baritone Saxophone) & Baritone Saxophone

Horns 1 & 2
Trumpets 1 & 2
Trumpet 3
Trombone 1
Trombone 2

Percussion:

Timpani (2 Drums)
Snare Drum (Brushes & Sticks)
Deep Pitch Snare Drum
Bass Drum
Tom Toms (3 Pitches)
Bongo Drums
Suspended Cymbal
Hi-Hat
Glockenspiel (Soft & Hard Mallets)
Telephone Bells (3 Pitches)
Triangle
Cowbell
Ratchet
Wind Whistle
Maracas
Temple Blocks
Castanets
Sand Paper
Wood Block

Harp

Piano-Celeste (Piano-Conductor’s Score)

Guitar

  • Musical Style Classic Broadway
  • Dance Requirements Moderate
  • Vocal DemandsDifficult
  • Orchestra Size Large
  • Chorus Size Large

Licensing & Materials

  • Licensing fees and rental materials quoted upon application.

Music Rentals

Concord offers a full suite of resources to help you put on the show of a lifetime!
25 Libretto-Vocal Book
1 Piano-Conductor
1 Reed 1
1 Reed 2
1 Reed 3
1 Reed 4
1 Reed 5
2 Horn 1&2
2 Trumpet 1&2
1 Trumpet 3
1 Trombone 1
1 Trombone 2
1 Percussion
1 Harp
1 Guitar
2 Violin AC
1 Violin BD
1 Viola
1 Cello
1 Bass
25 Libretto-Vocal Book
1 Piano-Conductor

Add-Ons

Take a look below at how you can enhance your show!

Authors

Adolph Green

Adolph Green (1914-2002) was an award-winning screenwriter, librettist and lyricist, co-writing with his longtime creative partner, Betty Comden. Comden and Green had a groundbreaking partnership of over 60 years, winning Tony Awards for their lyrics and/or librettos for Appl ...

View full profile

Betty Comden

Betty Comden (1917-2006) was an award-winning screenwriter, librettist and lyricist, co-writing with her longtime creative partner, Adolph Green. Comden and Green had a groundbreaking partnership of over 60 years, winning Tony Awards for their lyrics and/or librettos for Appl ...

View full profile

Jule Styne

Jule Styne (1905-1994) made Broadway sing for 50 years with shows including High Button Shoes; Gentlemen Prefer Blondes; Hazel Flagg; Gypsy; Peter Pan; Bells Are Ringing; Do Re Mi; Subways Are For Sleeping; Funny Girl; Fade Out-Fade In; Hallelujah, Baby!; The Red Shoes; and D ...

View full profile

Community

Now Playing

Community Experiences

Related