Bye Bye Birdie: Youth Edition

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Bye Bye Birdie: Youth Edition

Short Musical, Comedy  /  6girl(s), 6boy(s), 6any gender (youth) plus ensemble

Book by Michael Stewart
Music by Charles Strouse
Lyrics by Lee Adams

Originally Produced by Edward Padula
Adaptation and support materials for the Youth Edition developed by iTheatrics, under the supervision of Timothy Allen McDonald

Teenagers, rock & roll, and national television -- Bye Bye Birdie captures the energy and excitement of the late 1950s with warmth, hilarity and an exuberant score.

Image: Joan Marcus

Bye Bye Birdie: Youth Edition

  • Cast Size
    Cast Size
    6girl(s), 6boy(s), 6any gender (youth) plus ensemble
  • Duration
    Duration
    60 minutes (1 hour)
  • SubGenre
    Subgenre
    Theatre for Young Audiences, Period
  • Audience
    Target Audience
    Appropriate for all audiences, Children (Age 6 - 10)
Accolades
Accolades
  • Winner! Four 1961 Tony Awards, including Best Musical
    Nominee: Eight 1961 Tony Awards
    Winner! 1961 Outer Critics Circle Award for Best Musical
    Winner! 1996 Primetime Emmy Award, Outstanding Music & Lyrics
Bye Bye Birdie: Youth Edition
Also Available

Details

Summary

Bye Bye Birdie: Youth Edition is a one-hour adaptation of Bye Bye Birdie, specially tailored for elementary and middle school-aged actors. The materials have been prepared to help your school or organization mount the best possible production and to give your young cast and crew an exciting and rewarding experience.

Professional Artwork Available for Your Production of Bye Bye Birdie: Youth Edition!
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A loving musical send-up of the early 1960s, small-town America, teenagers, and rock & roll, Bye Bye Birdie remains as fresh and vibrant as ever. Teen heartthrob Conrad Birdie has been drafted, so he chooses all-American girl Kim McAfee for a very public farewell kiss. Featuring a tuneful high-energy score, plenty of great parts for kids, and a hilarious script, Bye Bye Birdie remains one of the most popular shows in schools across the country. Hit songs include “Put on a Happy Face,” “One Last Kiss,” “One Boy,” “A Lot of Livin’ to Do,” “Kids!” and “Rosie.”

History
Bye Bye Birdie opened on Broadway, April 14, 1960 and played for 607 performances at the Martin Beck Theatre (later at the 54th Street and the Shubert Theatres) starring Chita Rivera as Rose and Dick Van Dyke as Albert. The show played for 268 performances in London at Her Majesty's Theatre. In 2009, it was revived on Broadway at Henry Miller’s Theatre.

It is 1960, and a chorus of young girls energetically sings the praises of rock & roll idol Conrad Birdie. At Almelou Music Corp. in New York, Conrad’s managers, Albert Peterson and Rosie Alvarez (who’ve been dating for years), learn that their client has been inducted into the army. Though she’d prefer that Albert settle down and become “An English Teacher,” Rosie concocts a plan: as a publicity stunt, Conrad will bid a typical American teen-age girl goodbye with a public farewell kiss. Rosie randomly selects the name of the lucky girl: fifteen-year-old Kim McAfee of Sweet Apple, Ohio.

Meanwhile, in Sweet Apple, every teenager in town is on the phone, gossiping about Kim and her new steady, Hugo Peabody (“The Telephone Hour”). Kim, who proudly celebrates her new maturity (“How Lovely To Be A Woman”), is astonished to hear the news about Birdie.

In New York’s Penn Station, Albert cheers up a downcast Birdie fan (“Put On A Happy Face”). Mae, Albert’s overbearing mother, insults Rose, but Albert is unable to stand up to her. Birdie arrives, pursued by reporters, so Albert and Rosie deftly manage the press (“Healthy Normal American Boy”).

In Sweet Apple, Hugo is a bit jealous of the attention Kim pays to Birdie, but Kim assures Hugo he is the “One Boy” for her. On the courthouse steps, the Mayor welcomes Conrad, who bowls everyone over with his powerhouse hit, “Honestly Sincere.”

With Conrad staying for the week, the McAfee household is completely turned upside down. A frustrated Mr. McAfee threatens to put his foot down, until he hears the family will be appearing on The Ed Sullivan Show (“Hymn For A Sunday Evening”). Mae, who followed Albert and Rosie by bus, introduces Albert to a sensational tap-dancer named Gloria Rasputin, whom Albert begrudgingly hires as a typist. Rosie, enraged by Albert’s behavior, enlists the aide of Hugo in a plan to undermine the big show. On The Ed Sullivan Show, Conrad prepares to give Kim “One Last Kiss,” but at the last minute, Hugo steps onstage and punches Conrad, knocking him to the floor. Everyone scatters, and Rosie bids Albert a bitter farewell, leaving him alone on national television. Smiling nervously, Albert desperately tries to recover (“Healthy Normal American Boy” Reprise).

Rosie and Kim, furious at Albert and Hugo, pack up to leave (“What Did I Ever See In Him?”). Albert and Mae make a new plan: Conrad will now kiss Kim at the train station before he leaves. But Conrad is tired of being locked up in a suburban household, and he invites the kids to join him in a wild night out (“A Lot of Livin’ To Do”). Mr. and Mrs. McAfee, fearing the worst, join up with other parents to find their teens (“Kids!”). Mae continues to pester Albert and berate Rosie. Finally, Albert stands up to his mother, demanding that she go home.

At the Ice House, a popular spot for teens, Kim tries to ward off Conrad’s advances. The parents and Hugo arrive just in time, and Kim realises that she belongs with Hugo. Rosie and Albert make up, too, and Rosie has a bit of fun mocking Mae. The next morning, Albert sneaks Conrad out of town and tells Rose he’s accepted a teaching job in Pumpkin Falls, Iowa. Albert and Rose celebrate their new future (“Rosie”) and dance off into the sunset.

ALBERT PETERSON is the president of the Almaelou Music Corporation and is Conrad Birdie’s agent. He is a nervous, excitable man who spends most of his time trying to control the uncontrollable, with quite comic results. Look for an actor with excellent comic timing, a great singing voice and a natural likability. Albert carries much of the story, so choosing an actor who will be comfortable with such a responsibility is crucial —cast your best leading man.

ROSIE ALVAREZ is Albert’s girlfriend and secretary at the Almaelou Music Corporation, who is frustrated with Albert’s inability to commit to her. She is willing to do anything it takes to get Albert to give up the music business and settle down. Headstrong and confident, she is often one step ahead of Albert. Rosie needs to be a strong actor and a great singer. This is definitely a role for a student ready to shine in a leading role. Look for a young lady with tons of charm who can embrace that “go-get-‘em” personality.

MRS. MAE PETERSON is Albert’s controlling mother. She loves her son, despite her disapproval of the way he runs the family business and (especially) his affection for Rosie. She has never stopped parenting Albert, and her mounting frustration throughout the show as Albert begins to stand up to her provides recurring comic relief. This is a non-singing role, so look for an actor with strong comedic timing and the ability to take positive risks in building a strong character.

CONRAD BIRDIE is a teen heartthrob who has been drafted into the army. This character was written with Elvis Presley in mind. He says little but conveys much with his body language, swagger and, of course, his music. This is someone who knows that good looks and a killer smile will get him more than his personality. Look for a great singer/dancer with the ability to keep an over-the-top character alive while singing. This is a great role for a student who has tons of charm and can embody the “teen idol” persona.

KIM MACAFEE is the self-confident young member of Conrad’s fan club who is chosen to receive a kiss from Conrad before he leaves for the Army. She sees herself as more mature than the average teenager. This is a large role for a talented singer and actor, so look for a student with a wholesome, innocent persona who will enjoy letting it go and have some fun along the way.

HUGO PEABODY is Kim’s devoted steady boyfriend who is jealous that Conrad is receiving so much attention from Kim. This is a character-driven, non-singing role, so this is a great role to cast an up-and-coming student who isn’t quite ready to take on a leading role. When casting, think about the juxtaposition between Hugo and Conrad Birdie — casting a strapping Conrad and a diminutive Hugo will offer some great comic moments as the two compete for Kim’s affections.

MR. HARRY MACAFEE is Kim’s father who thinks he’s in control of his family and his teenaged daughter (but isn’t). Mr. MacAfee should be a good actor with a decent singing voice who can find the comedy in his character’s frustration and irritability.

MRS. DORIS MACAFEE is Kim’s loving mother who knows just how to handle her husband and her household. Mrs. MacAfee should be a good actor/singer. When casting, look for the chemistry between Mrs. MacAfee and her husband — this actor should be able to play off of Mr. MacAfee’s gruffness with ease and charm.

URSULA MERKLE is Kim’s best friend and the hyper-enthusiastic teenager who leads the girls in screaming for Conrad. This is a great supporting role to give to an energetic girl who will have fun creating a unique character with a one-of-a-kind voice. In casting, think of contrasting Kim’s “maturity” with Ursula’s youthful enthusiasm.

RANDOLPH MACAFEE is Kim’s younger brother. This is a great small featured role for a younger actor with an unchanged voice who will get to create a fun character with only a few lines.

THE MAYOR is the head figure of Sweet Apple, Ohio, who welcomes Conrad Birdie to town. A bit naïve to the effect Conrad has on the girls of the town, this is a great featured role for an ensemble cast member who can develop a fun character.

THE MAYOR'S WIFE, EDNA, is one of the adults in the show who cannot escape the power of Conrad Birdie’s spell — also a great featured role for an ensemble cast member to have some fun with.

GLORIA RASPUTIN is the dreamy, ambitious knockout whom Mrs. Peterson chooses to replace Rosie. She is looking for her big break in show business and hopes Albert can help her. Often played as a ditzy chorus-girl type, this is a good place to utilize a great tap dancer who will have fun with this featured dance solo and can create a gum-chomping, hair-twirling, larger-than-life character.

MRS. MERKLE is Ursula’s overbearing mother who also gets a touch of Conrad Birdie Fever. Cast a good character actress who can incorporate her character into her singing voice.

HARVEY JOHNSON is a typical nerdy teenager who can’t seem to get enough of the gossip going on in Telephone Hour. Cast a young actor who will have fun developing his character throughout this song and subsequent scenes.

MR. JOHNSON is Harvey’s father and one of the many parents in Sweet Apple desperate to keep control of their children as Conrad Birdie comes to town. This is a small featured part for an ensemble member.

Other TEENAGERS in Sweet Apple include ALICE, DEBORAH SUE, HELEN, NANCY, MARGIE, PENELOPE, SUZIE, FREDDIE, KARL and various other BOYS and GIRLS. Have fun casting these roles out of the ensemble and encourage your actors to create distinct characters.

Other ENSEMBLE roles include a POLICEMAN, various REPORTERS, a CONDUCTOR and a TRAINMAN, and other PARENTS of the Sweet Apple teenagers with featured lines throughout the script. Get everyone involved!

  • Time Period 1950s
  • Setting New York City and Sweet Apple, Ohio, 1960.
  • Features Contemporary Costumes / Street Clothes, Period Costumes
  • Duration 60 minutes (1 hour)
  • Cautions
    • No Special Cautions

Media

“A superbly stylish throwback to the 1950s! Genuine fun, fizz and frenzy... total silliness.” – The Chicago Sun-Times

“An amusing, light-hearted send-up of 50s teen culture... Written in 1960, this Broadway musical may have been one of the earliest satires of 1950s middle-class society... the entire show is a colorful delight.” – Chicago Critic

“A rollicking musical firmly rooted in the 50s, Bye Bye Birdie has been popular since its 1960 Broadway debut. Michael Stewart's scripts holds up... the tunes are eminently hummable... the show stopped as individual scenes recieved ovations from the capacity audience.” – The LA Times

Videos

  • Strouse and Adams on Bye Bye Birdie youtube thumbnail

    Strouse and Adams on Bye Bye Birdie

  • Bye Bye Birdie on Broadway 2009 youtube thumbnail

    Bye Bye Birdie on Broadway 2009

  • "The Telephone Hour" youtube thumbnail

    "The Telephone Hour"

  • "Honestly Sincere" youtube thumbnail

    "Honestly Sincere"

  • "A Lot of Livin' To Do" youtube thumbnail

    "A Lot of Livin' To Do"

  • "Put On A Happy Face" youtube thumbnail

    "Put On A Happy Face"

More videos +

Photos

  • Bye Bye Birdie: Youth Edition

    Image: Joan Marcus

  • Bye Bye Birdie: Youth Edition

    Image: Joan Marcus

  • Bye Bye Birdie: Youth Edition

    Image: Sam Norkin

  • Bye Bye Birdie: Youth Edition

    Image: Sam Norkin

Music

Music Samples

1. Overture – Teens
2. Opening Curtain – Orchestra
3. “An English Teacher – Rosie
4. “The Telephone Hour” – Helen, Nancy, Margie, Alice, Freddie, Karl, Harvey, Penelope, Suzie & Teens
5. Playoff: The Telephone Hour – Orchestra
6. “How Lovely To Be A Woman” – Kim
7. Penn Station Transition – Albert & Girls
8. “Put On A Happy Face” – Albert
9. A Healthy, Normal, American Boy – Albert, Rosie, Teens & Adults
10. Penn Station To Sweet Apple – Orchestra
11. Sweet Apple Band – Orchestra
12. One Boy – Kim, Alice, Rosie & Girls
13. Underscore: Sweet Apple Station – Orchestra
14. Honestly Sincere – Conrad & Chorus
15. Playoff: Honestly Sincere – Orchestra
16. Hymn For A Sunday Evening (Ed Sullivan) – Kim, Randolph, Mr. MacAfee & Mrs. MacAfee
17. TV Theme – Orchestra
18. One Last Kiss (Part 1) – Conrad & Teens
19. One Last Kiss (Part 2) – Albert & All
20. Playoff: One Last Kiss – Orchestra
21. What Did I Ever See In Him? (Part 1) – Rosie
22. What Did I Ever See In Him? (Part 2) – Kim & Rosie
23. Playoff: What Did I Ever See In Him? – Orchestra
24. A Lot of Livin’ To Do – Conrad, Kim & Teens
25. Kids – Mr. MacAfee, Mr. Johnson & Parents
26. Playoff: Kids – Orchestra
27. To Ice House – Orchestra
28. An English Teacher (Reprise) – Rosie
29. To Railroad Station – Orchestra
30. Hand Car – Teens
31. Rosie – Albert, Rosie & Ensemble
32. Bows – Orchestra
33. Exit Music – Orchestra
  • Musical Style Classic Broadway, Pop/Rock
  • Dance Requirements Easy
  • Vocal DemandsEasy
  • Chorus Size Large

Licensing & Materials

  • Licensing fees and rental materials quoted upon application.

    PLEASE BE ADVISED: There are multiple versions of this title. Before you proceed, please double-check to ensure that you are applying for the version you want. We will not be able to refund rental or shipping fees if you pay for the wrong version. If you’re not sure which version best suits your needs, you may purchase a perusal for each available version.

Music Rentals

Concord offers a full suite of resources to help you put on the show of a lifetime!
1 Director’s Production Guide
1 Piano-Vocal
30 Young Performers’ Books

1 Digital resource download, consisting of:

  • Sing-Along Tracks to help your cast learn the songs.
  • Performance Tracks with orchestral accompaniment for your production.
  • Choreography Videos containing simple, effective dance steps and staging ideas for selected songs.

Note: Bye Bye Birdie: Youth Edition is presented with the fully orchestrated Performance Tracks; there is no orchestration for live accompaniment.

Notwithstanding the Rental Material return instructions set forth in your licensing agreement, you do not need to return your Rental Materials for this title.

Add-Ons

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Authors

Michael Stewart

Michael Stewart (1924-1987) scored on Broadway the first time when he won a Tony Award for his Bye Bye Birdie libretto. He was the librettist for Carnival (Drama Critics Circle Award) and Hello, Dolly!, which earned him both a Tony and Drama Critics prize. Stewart also wrote ...

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Charles Strouse

Charles Strouse is one of America's most successful musical theatre composers. His first Broadway musical, Bye Bye Birdie (1960), written with his long-time collaborator Lee Adams, won him a Tony Award and the London Critics Best Foreign Musical Award. In 1970, Applause, star ...

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Lee Adams

Lee Adams began his professional career as a journalist, working as a newspaper reporter, magazine writer and editor, and radio writer and interviewer. But his life took a sudden turn when his “hobby” of lyric writing led to Bye, Bye Birdie in 1960. This unheralded little Bro ...

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