Overview
“Parks’s
dislocating stage devices, stark but poetic language, and fiercely
idiosyncratic images transform her work into something haunting and
marvelous.” —TimeMagazine
“No work produced by an English-language
dramatist of our time surpasses Suzan-Lori Parks for depth, complexity,
poetry, originality, insight, and stunning dramatic power.” —Tony
Kushner
“An original whose fierce intelligence
and fearless approach to craft subvert theatrical convention and produce
a mature and inimitable art that is as exciting as it is fresh.” —
August Wilson
In reaction to the extraordinary events
of the first hundred days of the presidency of Donald J. Trump, Pulitzer
Prize-winning playwright Suzan-Lori Parks has created a unique and
personal response to one of the most tumultuous times in our recent
history—a play diary for each day of the presidency, to capture and
explore the events as they unfolded. Known for her distinctive lyrical
dialogue and powerful sociopolitical themes, Parks’s 100 Plays for the First Hundred Daysis the powerful and provocative everyman’s guide to the Trumpian universe of uncertainty, confusion, and chaos.
In 2002, Suzan-Lori Parksbecame the first African-American woman to receive the Pulitzer Prize in Drama for her play Topdog/Underdog. Her other plays include Father
Comes Home from the Wars (Parts 1, 2 & 3), In the Blood, Venus, The
Death of the Last Black Man in the Whole Entire World, Fucking A,
Imperceptible Mutabilities in the Third Kingdomand The America Play. In 2007, her 365 Days/365 Playswas produced at more than seven hundred theaters worldwide. Ms. Parks
is a MacArthur Fellow and Master Writer Chair at The Public Theater. In
2018, she was awarded the Windham-Campbell Prize for Drama.