A SAMUEL FRENCH, LTD. TITLE
Tender Napalm
Full-Length Play, Drama / 1f, 1m
Tender Napalm is a high-impact, high-concept two-handed play
which
explores the landscape that is a relationship between a man and a
woman.
Explosive, poetic, brutal and ultimately redemptive, the play
weaves a
compelling theatrical tapestry to re-examine and re-define the
language
of love.
-
Cast Size
1f, 1m -
Target Audience
Adult
Details
Summary
I could squeeze a bullet between those lips. Point first. Press it between those rosebud lips. Prise it between your pearly whites. Gently. I wouldn't break a single tooth. Philip Ridley's first new play since 2008 marks a change of direction for the acclaimed, ever-restless and maverick writer.
This volume also contains five poems from the performance sequence Lovesongs for Extinct Creatures: Your Love, Dark Sky Craving, The Silver Hat, I'm Waiting to be Killed and The Seams, publishing for the first time extracts from Philip Ridley's cycle of love poetry.
This volume also contains five poems from the performance sequence Lovesongs for Extinct Creatures: Your Love, Dark Sky Craving, The Silver Hat, I'm Waiting to be Killed and The Seams, publishing for the first time extracts from Philip Ridley's cycle of love poetry.
- Time Period Contemporary
- Cautions
- Intense Adult Themes
Media
“fierce, transfixing and ultimately very moving... Mr. Ridley, who is also a filmmaker and a children's book author, is high on my list of contemporary playwrights these days. He was always a writer of daring and satanic imagination, with a sui generis vocabulary to match...The exotic worlds he conjures feel deeply familiar, even to the point of banality, which is what makes them all the scarier and all the more revelatory.” – Ben Brantley, New York Times
“Philip Ridley's extraordinary play...brilliantly juxtaposes the banal and the fantastical, the delicate and the brutal, the euphoric and the agonised, as it maps out the voyage from first attraction to consuming devotion, by way of devestating tragedy . . . It is rich, slippery, grotesque and lovely, crammed with the writer's distinctive bruising lyricism and uncompromising immediacy . . . It is heady, heart-stopping stuff; wildly intoxicating.” – Sam Marlowe, The Times, 27.4.11
“In the way it digs the loam of memory and explores how lovers create their own stories and mythologies, Ridley's play is completely and dizzyingly of itself. The writing seethes and burns...Seldom has sexual love been explored on stage with such ferocious honesty, brutality and melting tenderness.” – Lyn Gardner, Guardian, 28.4.11
“Philip Ridley's extraordinary play...brilliantly juxtaposes the banal and the fantastical, the delicate and the brutal, the euphoric and the agonised, as it maps out the voyage from first attraction to consuming devotion, by way of devestating tragedy . . . It is rich, slippery, grotesque and lovely, crammed with the writer's distinctive bruising lyricism and uncompromising immediacy . . . It is heady, heart-stopping stuff; wildly intoxicating.” – Sam Marlowe, The Times, 27.4.11
“In the way it digs the loam of memory and explores how lovers create their own stories and mythologies, Ridley's play is completely and dizzyingly of itself. The writing seethes and burns...Seldom has sexual love been explored on stage with such ferocious honesty, brutality and melting tenderness.” – Lyn Gardner, Guardian, 28.4.11
Licensing & Materials
- Minimum Fee: £55 per performance plus VAT when applicable.
This title may have restrictions in place for London based productions. Please submit a licence request to confirm specific availability.
Authors
Philip Ridley
Philip was born in the East End of London. He studied painting at St Martin’s School of Art. He has written many highly regarded and hugely influential plays: the seminal The Pitchfork Disney, the multi-award-winning The Fastest Clock in the Universe, Ghost from a Perfect Pla ...
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