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A SAMUEL FRENCH, LTD. TITLE
Full-Length Play, Drama / 2w, 1m
Mark Ravenhill
The Cane explores power, control, identity and gender while considering the major failure of the echo-chamber of liberalism.
Former teacher Edward is looking forward to his retirement. After 45 years teaching, he finds himself under siege in his own home, with angry students attacking it, including throwing a brick through a window. As he is held captive in the house for six days with his wife, Maureen, his estranged daughter, Anna, arrives with many questions. The Cane explores power, control, identity and gender while considering the major failure of the echo-chamber of liberalism.
Edward and Maureen’s house. December 2018.
“Short, tense, provocative.” – The Guardian
“There are few stage authors writing more interestingly than Mark Ravenhill… He is – it is now yet more evident – a searing, intelligent, disturbing sociologist with a talent for satirical dialogue and a flair for sexual sensationalism.” – Financial Times
“Clever, witty and slyly provocative.” – The Independent
“[A] tense and slippery new play.” – The Stage
“This is a play full of pain, hard to watch and horribly compelling. Unmissable.” – The Times
“Ravenhill has more to say, and says it more refreshingly and wittily, than any other playwright of his generation.” – Time Out
“The tense, timely new play by Mark Ravenhill raises incisive questions about injustice and reparation.” – Variety
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