A CONCORD THEATRICALS TITLE

See What I Wanna See

Full-Length Musical, Drama  /  2w, 3m

Based on three short stories by the Japanese writer Ryunosuke Akutagawa and unfolding like a classical Japanese screen painting, this stunning musical by Michael John LaChiusa explores lust, greed, murder, faith and redemption.

  • Cast Size
    Cast Size
    2w, 3m
  • Duration
    Duration
    90 minutes
  • SubGenre
    Subgenre
    Adaptation (Literature), Period
  • Audience
    Target Audience
    Adult
Accolades
Accolades
  • Nominee: 2006 Lucille Lortel Award for Outstanding Production
    Nominee: Three 2006 Drama League Awards, including Outstanding Production of a Musical
    Nominee: Three 2025 Drama Desk Awards, including Outstanding Revival of a Musical

See What I Wanna See

Details

Summary

See What I Wanna See, a musical about lust, greed, murder, faith and redemption, is based on three short stories by the Japanese writer Ryunosuke Akutagawa and unfolds like a classical Japanese screen painting.

In Kesa and Morito, set in medieval Japan, two lovers sing of the ecstasy and torment of their illicit affair and their determination to end it that night. R Shomon, set in 1951, New York City, follows the investigation of a crime of passion and the witnesses' contradicting versions of the event. An innocent bystander, a cunning thief, a flirtatious wife, a psychic and even the ghost of the murdered man are all caught in a web of deceit. Gloryday, set in present-day New York City, introduces a priest during a crisis of faith after a terrible tragedy strikes the city. 

History

See What I Wanna See was first presented off-Broadway by the Public Theater in New York City, opening on 30 October 2005. 

Kesa and Morito
Kesa
Morito

R Shomon
The Janitor
The Thief
The Wife
The Husband
The Medium

Gloryday
The Priest
Aunt Monica
A CPA
An Actress
A Reporter

  • Time Period Contemporary, 1950s, Medieval (6th-14th Century)
  • Setting

    Medieval Japan, New York City in 1951 and present-day New York City.

  • Features Contemporary Costumes/Street Clothes, Period Costumes
  • Duration 90 minutes

Media

“The score is exceptional… Here is a truly innovative show.” – Broadway World

“[Michael John LaChiusa] wrote just the sort of show I want to see: a chamber musical of constantly changing textures and intense colours about infidelity, faith and different versions of the truth.” – The Stage

Videos

  • See What I Wanna See youtube thumbnail

    See What I Wanna See

Music

Music Samples

1. ''Kesa'' - Kesa
2. ''The Janitor's Statement'' - The Janitor
3. ''The Thief's Statement/She Looked At Me'' - The Thief
4. ''See What I Wanna See'' - The Wife
5. ''Big Money'' - The Thief, The Husband
6. ''The Park'' - The Thief, The Wife
7. ''You'll Go Away With Me'' - The Thief
8. ''Murder'' - The Thief
9. ''Best Not To Get Involved'' - The Janitor
10. ''The Wife's Statement'' - The Wife
11. ''Louie'' - The Wife
12. ''The Medium and the Husband's Statement'' - The Janitor, The Medium, The Husband
13. ''Quartet. You'll Go Away With Me (reprise)'' - The Husband, The Wife, The Thief, The Medium
14. ''No More'' - The Wife, The Thief, The Medium, The Husband
15. ''Simple As This'' - The Husband, The Medium
16. ''Light in the East/Finale Act 1'' - Ensemble
17. ''Morito'' - Morito
18. ''Confession/Last Year'' - Priest, Aunt Monica
19. ''The Greatest Practical Joke'' - Aunt Monica
20. ''First Message'' - Priest
21. ''Central Park'' - CPA
22. ''Second Message'' - Priest, Actress
23. ''Coffee'' - Actress
24. ''Gloryday'' - Ensemble
25. ''Curiosity/Prayer'' - Reporter, Actress, CPA, Priest
26. ''Feed The Lions'' - Priest, CPA, Actress
27. ''There Will Be A Miracle'' - Aunt Monica
28. ''Prayer (reprise)'' - Priest, Actress, CPA, Reporter
29. ''Rising Up/Finale Act 2'' - Ensemble

  • Musical Style Contemporary Broadway
  • Dance Requirements Minimal
  • Vocal DemandsDifficult
  • Chorus Size No Chorus

Licensing & Materials

  • Licensing fees and rental materials quoted upon application.

Music Rentals

Concord offers a full suite of resources to help you put on the show of a lifetime!

6   Piano-Vocal (rehearsal & performance)

1   Reed 1 – Piccolo, Flute, Alto Flute, Bass Flute, Shakuhachi, Bamboo Flute(s), Soprano Sax & Alto Sax
1   Reed 2 – Bassoon, Bass Clarinet & Bari Sax
2   Percussion 1&2 – Vibraphone, Marimba, Xylophone, Bells, Glock, Crotales, Chimes, Timpani, Glass Chimes, Boobams, Suspended Cymbal, Suspended Cymbal (w/ chain), Suspended Cymbal (w/bow), Tam-Tam, Small Gong, Bowed Cymbal, Large China Cymbal, Toy Crash Cymbal, Wooden Rattle, Wicker Shaker (Caxixi), Double Caxixi, Small Shaker, Large Shaker, Small Japanese Shaker, Pod Rattle, Rock & Roll Tambourine
Tambourine, Big Japanese Bass Drum (Taiko), Japanese War Drums, Bass Drum, Lo Hand Drum, Hand Drums, Large Drum, Low Drum, Bongos, Djembe, Bell Tree, Mark Tree, Cow Bell, Temple Blocks, Kabuki Blocks, Piccolo Wood Block, Anvil, Slapstick, Vibraslap, Triangle, Water Phone, Flexatone, M’bira (Kalimba), Guiro, Ratchet, Gamelan Bowls & Rain Stick
1   Drums – Drum Set, China Cym., Triangle, Djembe, Rainstick, Kabuki Bock, Waterphone & Pod Rattle
1   Bass – Acoustic & Electric

6   Piano-Vocal (rehearsal & performance)

Authors

Michael John LaChiusa

Michael John LaChiusa is a five-time Tony Award-nominated composer, lyricist and librettist for his Broadway productions of The Wild Party, Marie Christine and Chronicle of a Death Foretold. LaChiusa’s acclaimed off-Broadway musicals have been seen at The Public Theater, Linc ...

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Ryunosuke Akutagawa

Ryunosuke Akutagawa committed suicide in 1927 at the age of thirty-five, but he accomplished much during his short writing career. Excelling in the finely crafted short tale, Akutagawa also wrote poetry and several acclaimed prose works. After honing his skills on mostly impe ...
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