Calendar Girls The Musical

Full-Length Musical, Comedy  /  10w, 5m, 1girl(s), 2boy(s)

A Musical by Gary Barlow and Tim Firth

Originally Produced by David Pugh & Dafydd Rogers and The Shubert Organisation / Based on the play Calendar Girls written by Tim Firth and on the motion picture Calendar Girls written by Tim Firth and Juliette Towhidi

The death of a much-loved husband prompts a group of ordinary women in a small Yorkshire Women's Institute to do an extraordinary thing.

Calendar Girls The Musical

  • Cast Size
    Cast Size
    10w, 5m, 1girl(s), 2boy(s)
  • Duration
    More than 120 minutes (2 hours)
  • Audience
    Target Audience
    Adult, Senior, Teen (Age 14 - 18)
  • Winner! 2017 WhatsOnStage Award for Best Regional Production
    Nominee: Three Olivier Awards, including Best New Musical

Calendar Girls The Musical
Also Available



The death of a much loved husband prompts a group of ordinary women in a small Yorkshire Women's Institute to do an extraordinary thing. Blasting away all preconceptions of what it is to be in a women's institute, they decide to do an artistic nude calendar to raise money for charity. Upturning preconceptions is a dangerous business and none of them expect the emotional and personal ramifications, but gradually the making of the fabulous and funny calendar brings each woman unexpectedly into flower.

The true story of the Calendar Girls launched a global phenomenon, a million copycat calendars, a record breaking movie, stage play and musical written by Tim Firth and Gary Barlow which coined the term "craughing"  - the act of crying and laughing at the same time.

With unforgettable songs, every performance continues to add to the millions already raised for charity and also prove that there is no such thing as an ordinary woman.

An Autumn day breaks on a village in Yorkshire where nothing seems to change except the seasons. At that evening’s meeting of the local Women’s Institute a dull guest speaker confronts a gang of women who act, thanks to rebellious gang leader Chris, like a load of naughty schoolgirls. Chris’s best mate of many years standing, Annie, is married to John, beloved of all. Later that night he reveals to Annie he has been for tests at the hospital. Some months later as hysteria unfolds around the WI ‘s Christmas Carol offering on the village green it is clear John is undergoing chemotherapy. He inspires the musical gang member Cora to lead them all off piste and sing an alternative Christmas carol, much to the disapproval of WI leader Marie, a woman trying to be a headmistress to middle aged women. By the time it comes to Spring Fete, John is seriously ill, but not too ill act as coach to the tug of war team and relish the fact that Chris wins the cake contest with a cake she bought at the local supermarket.

When John dies shortly afterwards it leaves a village without a vibrant husband and an inspiring friend. To help Annie rally, Chris reinterprets one of John’s mantras and comes up with an extraordinary idea to raise money to replace the old settee in the relatives’ room at the hospital – a settee which this pair have spent many long hours on. To do this they are going to raise money - but not by having a raffle as might be expected of a WI. Regularly Chris sees promotional calendars arrive at her and husband Rod’s florist shop featuring young girls holding tulips. They are going to do a spin on this - the WI equivalent – with their little WI starring in it. Annie understands instantly, hearing John’s spirit evoked in the endeavour. It’s exactly the kind of off-piste idea he would have loved. The other women are less easy to convince however, especially when Chris lures them up the hill under the guise of planting John’s sunflower seeds and attempts a disastrous demonstration using her own camera.

To make matters worse, Chris’s son Danny, a hard-working lad, has just been made head boy at school but ominously also crossed paths with a young rebellious girl who has turned up. She has caught his eye because she’s interested in him and also was put straight on detention for bringing in drink. This girl, Jenny, taunts him that the new head boy won’t dare bunk off the rest of ‘election day’ on the hill, but his interest coupled with the urging of his best mate Tommo means Danny arrives in this secluded hilltop just in time to see his mother disrobing herself for a photo. Not only that, Marie turns up at the same time to help plant seedlings. And to cap it all, we find out that this rebellious Jenny is in fact her daughter.

Danny is now in danger of being lured off piste. Jenny’s rebellious stance against her mother suddenly seems a very attractive path to him. Chris sees none of the looming problem, fixated with trying to talk the other girls into her calendar idea. She and Annie enlist Lawrence, the porter who used to push John round in the hospital and who John had discovered to be a talented photographer. Celia, the blousey ex-air hostess confesses she has had some plastic surgery, but even THAT wouldn’t make her do this calendar as it might socially compromise her husband, captain of the golf club. Cora is hesitant as a single mum. The first to show any signs of coming on board is the old ex-schoolteacher Jesse who at this point in her life is trying to resist doing what age expects of her. Ruth, put-upon wife of a philanderer, flees the scene in fear only to run into Marie who storms the secret meeting and vows to make it impossible for Chris to besmirch the name of her WI by petitioning national conference. Chris has a shouting match with her and goes home only to find that Marie’s accusations are grounded – her son indeed seems to be being affected by her calendar. He has been found drunk at school and stripped of his post of head boy, something the rebellious Chris held very dear.

Chris, lost and shocked, tells Annie she is going to have to pull out of doing the calendar, which throws Annie totally as she has always relied on Chris to drive things. They have their first real row in forty years of friendship. However following this Annie doesn’t want to let John’s idea go, and rallies herself to take the wheel. She goes to London with the other girls to try and counter Marie at National Conference. Her passionate speech is derailed by grief but at the last moment she is rescued by Chris who was encouraged by husband Rod to come down. He said she needed to follow her rebellious heart rather than be reined back by any potential embarrassment she might cause her son. The little WI storm the conference and win their permission to create an alternative calendar, en route enthralling Marie’s daughter who was dragged along to see ‘the kind of woman she should aim at being’. She has done. And it’s Chris. Ruth is the only one missing, at home alone as usual waiting for her philandering husband. We find she drinks a little each night to help ease the pain.

The night of the calendar shoot is a growing triumph. Initially hesitant women increase in confidence, beat their demons and produce poses which echo their own personal victories in just being here. Marie’s daughter decamps to help with props, Ruth defies her husband to turn up and even Danny comes to help, to match Jenny’s unpredictability.

Several months later, a settee is delivered to the W.I Hall for them all be photographed sitting upon. The calendar has raised millions, catching the public imagination. It has solved issues of confidence in the girls personal lives, brought Danny and Jenny together and even healed some bridges between Marie and her ever-rebellious adversary Chris. But more than that is has left the legacy of a settee in John’s name in a hospital wing also in John’s name, and a hill which, thanks to the seeds he sowed, is now a sea of sunflowers.

6 Women
1 Teenage Girl
5 Men
2 Teenage Boys

4 Women

Chris, 50s
Annie, 50s
Cora, late 30s, early 40s
Jessie, 70s-80s
Celia, 50s
Ruth, 40s-50s
Marie, late 40s, early 50s
John, 50s
Rod, 50s
Lawrence, late 20s, early 30s
Colin, 70s-80s
Denis, 50s
Danny, 16
Jenny, 16
Tommo, 16
Miss Wilson (tea), 30s-50s
Miss Wilson (coffee), 30s-50s
Brenda Hulse/Lady Cravenshire, 60s

  • Time Period Present Day
  • Setting

    Knapely Village, Yorkshire.

  • Duration More than 120 minutes (2 hours)
  • Cautions
    • Alcohol
    • Nudity/Partial Nudity


"It is a true celebration of female friendship and empowerment." — Broadway World

"Gary Barlow gives Calendar Girls a classy musical makeover." — The Guardian

"...the story has now achieved its ideal form." — The Guardian

"It’s both moving and uplifting." — The Mirror

"...riotously brilliant." — The Mirror

"joyful and spirited..." — Broadway World

"It is a true celebration of female friendship and empowerment." — Broadway World

"You'll cry with laughter at the Calendar Girls musical" — The Daily Mail


Act 1
1. ''Yorkshire'' - Company
2. ''Mrs Conventional'' - Chris, Annie, Jessie, Celia, Cora & Jenny
3. ''Scarborough'' - Annie
4. ''Who Wants A Silent Night?'' - Cora & Company
5. ''Very Slightly Almost'' - Annie
6. ''Girls/Hello Yorkshire I'm A Virgin'' - Tommo & Danny
7. ''Time Passing'' - Company
8. ''Sunflower'' - Chris
9. ''Dare'' - Chris, Annie & Girls

Act 2
10. ''Girls (Village Green)'' - Colin & Denis
11. ''Protect Me Less'' - Danny & Jenny
13. ''So I've Had A Little Work Done'' - Celia
14. ''What Age Expects'' - Jessie & Girls
15. ''Kilimanjaro'' - Annie
16. ''Dare (Conference)'' - Chris, Annie, Jenny & Girls
17. ''My Russian Friend and I'' - Ruth
18. ''For One Night Only'' - Girls
19. ''Sunflower of Yorkshire'' - Company
  • Musical Style Pop/Rock
  • Dance Requirements Minimal
  • Vocal DemandsModerate
  • Orchestra Size Small/Combo
  • Chorus Size Small

Licensing & Materials

  • Licensing fees and rental materials quoted upon application.
    Performance rights for this title are currently withdrawn in the UK. To be informed as soon as it becomes available in the future, please submit a license application.
    PLEASE BE ADVISED: There are multiple versions of this title. Before you proceed, please double-check to ensure that you are applying for the version you want.We will not be able to refund rental or shipping fees if you pay for the wrong version.

    If you’re not sure which version best suits your needs, you may purchase a perusal for each available version.



Music Rentals

Concord offers a full suite of resources to help you put on the show of a lifetime!
25   Libretto-Vocal Book
1   Keyboard 1-Conductor (rehearsal & performance)
1   Keyboard 2/GuitarSynthesizer, Acoustic Guitar, Ukulele
1   Cornetdoubling Trumpet
1   Trombone
1   Drums
1   Double Bassdoubling Electric Bass

Digital Download
1   Click Tracks — Supplied as QLab file
1   SFX Tracks
1   Logo

25   Libretto-Vocal Book
1   Keyboard 1-Conductor (rehearsal & performance)

Digital Download
1   SFX Tracks
1   Logo


Take a look below at how you can enhance your show!



Gary Barlow

Tim Firth

Tim Firth's theatre credits include Greatest Days, Now Is Good (UK Theatre nomination best musical) This Is My Family (Sheffield Crucible, UK Theatre Award Best New Musical), Neville's Island (Nottingham Playhouse and West End, Evening Standard & Olivier nomination, MEN Award ...

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