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A SAMUEL FRENCH, INC. TITLE
Full-Length Play, Dramatic Comedy / 4w, 4m, 1boy(s)
A Tour of the Permanent Collection in the Museum of Late Human Antiquities By Jordan Harrison
A “brilliantly imagined drama” (The Wall Street Journal) for anyone whose computer has asked them to prove that they’re a human. Which is to say, everyone.
Image: 2025 Playwrights Horizons, Vineyard Theatre and Goodman Theatre Co-Production (Emilio Madrid)
At the Museum of Late Human Antiquities, the curators are fiercely committed to bringing a lost civilization to life again: What were humans really like? What did they wear, what did they eat, how did they die out? By casting us into the far future, Jordan Harrison’s new play gives us an uncanny view of the present moment, as we straddle the analog world that was and the post-human world to come.
WOMAN 1 WOMAN 2
MARY SHELLEY PERCY SHELLEY BYRON BRIGGS CLAIRE
DINAH ROSE MAN BOY (TOM)
STUART BARTENDER (NADRA) REGULAR TRICK
JOSLYN NOAH
FATHER MOTHER BOY
5 YOUNG PEOPLE MRS. WU
OLD MAN GRANDDAUGHTER
NEIL RAMIN JOSH 6 FEMALE VOICES
CORPORATE LAWYER EMPLOYEE EMPLOYEE’S LAWYER
SISTER 1 SISTER 2 DOCTOR
BLAKE PAZ RIMA LEN CHILD
WOMAN YOUNG MAN
VOICEOVER
KYLE ROBIN KYLE’S DAD
Author’s note on casting: This play is written for an ensemble of nine actors playing multiple roles. I’ve scripted them as four women, four men and one child, but there may be other approaches. Diverse casting, please.
Also: The child should be a real child, not a youthful-looking adult.
Various locations. 1816-2240.
“[A] remarkable, thought-provoking show.” – Culture Sauce
“Compelling… starting with Shelley’s monster and ending with, well, the end of humanity, it could win a scary-story contest itself, as it maps one possible route, the Via Technologica, from Romantic glory to species demise… beautifully drawn, with the wit, pith and undercurrent of sadness characteristic of Harrison’s best work… hilarious and scalding.” – The New York Times
“Really engages the brain… a play that has more to say in 95 minutes than most TV shows manage in eight seasons.” – Chicago Tribune
“Imaginative… Harrison’s steady advance toward tomorrow is certainly effective at ratcheting up tension.” – Observer
“The Antiquities brings us back to the future, to a post-Marjorie Prime era – and it offers an even more chilling perspective on where technology may be taking us.” – New York Sun
“Very timely… Jordan Harrison spins an intriguingly haunting tale about the human experiment gone awry… a highly provocative and clever examination of humanity.” – Roma Torre, New York Stage Review
“Funny, pointed, haunting.” – New York Theater
“[A] remarkable, thought-provoking show… to imagine the lived experience of humanity in the space between Yes and No, between the technological achievements that have upended our lives, both for good and for ill. It’s a fascinating exercise, especially since so much of our education and media systems have indoctrinated us into the notion that all innovations are good, or at the very least benign.” – Culture Sauce
“Jordan Harrison’s exciting new play is intellectually impressive and philosophically a bit terrifying.” – Exeunt
The Antiquities – Goodman Theatre Trailer
David Cromer and Caitlin Sullivan on The Antiquities
Jordan Harrison on the creation of The Antiquities
The Antiquities – Playwrights Horizon Trailer
Jordan Harrison was a 2015 Pulitzer Prize finalist for Marjorie Prime. The play had its New York premiere at Playwrights Horizons and its Chicago premiere at Writers Theatre after premiering at the Mark Taper Forum/CTG in Los Angeles. His play Maple and Vine premiered in the ...
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