
Contemporary Plays by African Women : Niqabi Ninja; Not That Woman; I Want to Fly; Silent Voices; Unsettled; Mbuzeni; Bonganyi
Contemporary Plays by African Women : Niqabi Ninja; Not That Woman; I Want to Fly; Silent Voices; Unsettled; Mbuzeni; Bonganyi
Various Authors
ISBN: 9781350034518
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Overview
This volume uniquely draws together seven contemporary plays by a
selection of the finest African women writers and practitioners from
across the continent, offering a rich and diverse portrait of identity,
politics, culture, gender issues and society in contemporary Africa.
Niqabi Ninja by Sara Shaarawi (Egypt) is set in Cairo during the chaotic
time of the Egyptian uprising. Not That Woman by Tosin Jobi-Tume
(Nigeria) addresses issues of violence against women in Nigeria and its
attendant conspiracy of silence.
The play advocates
zero-tolerance for violence against women and urges women to bury shame
and speak out rather than suffer in silence. I Want To Fly by
Thembelihle Moyo (Zimbabwe) tells the story of an African girl who wants
to be a pilot. It looks at how patriarchal society shapes the thinking
of men regarding lobola (bride price), how women endure abusive men and
the role society at large plays in these issues.
Silent Voices
by Adong Judith (Uganda) is a one-act play based on interviews with
people involved in the LRA and the effects of the civil war in Uganda.
It critiques this, and by implication, other truth commissions.
Unsettled by JC Niala (Kenya) deals with gender violence, land issues
and relations of both black and white Kenyans living in, and returning
to, the country.
Mbuzeni by Koleka Putuma (South Africa) is a
story of four female orphans, aged eight to twelve, their sisterhood and
their fixation with death and burials. It explores the unseen force
that governs and dictates the laws that the villagers live by.
Bonganyi by Sophia Kwachuh Mempuh (Cameroon) depicts the effects of
colonialism as told through the story of a slave girl: a singer and
dancer, who wants to win a competition to free her family.
Each play also includes a biography of the playwright, the writer's own
artistic statement, a production history of the play and a critical
contextualisation of the theatrical landscape from which each woman is
writing.