Matthew Francis’s adaptation of Jane Austen’s first novel wryly dramatizes Catherine Morland’s romantic fantasy world alongside her real one, capturing Austen’s acerbic irony in witty dialogue and narration.
Catherine Morland – brought up in a sleepy provincial parsonage – is suddenly introduced to the complicated world of a “season” at Bath. Overwhelmed, she tries to make sense of her new environment by referring to the gothic romances which have been her all-consuming passion at home. Believing “society” to be very much as author Anne Radcliffe describes it in her novel The Mysteries of Udolpho, Catherine makes a number of alarming miscalculations about personalities and relationships. Of course, she ultimately survives, thanks principally to the indulgence of her author.