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A TAMS-WITMARK TITLE
Full-Length Musical, Comedy / 4w, 4m
Adapted for the stage by Charles K. Freeman From a screenplay by James O'Hanlon, produced by Warner Bros. Music by Sammy Fain Lyrics by Paul Francis Webster Orchestral & vocal arrangements by Philip J. Lang
Feisty, outspoken, fearless and hilarious, Calamity Jane is a sharpshooter with a heart of gold. This Wild West musical comedy is a sure-fire crowd-pleaser.
Image: 1953 Film Version (© & TM Turner Entertainment Co.)
Winner! 1954 Academy Award for Best Music, Original Song (Sammy Fain and Paul Francis Websterfor “Secret Love”)
In the wild-west outpost of Deadwood City, 1876, sharpshooting tomboy Calamity Jane carouses with cowboys, townsfolk, and her archrival, the famous Wild Bill Hickok. After a mix-up in the talent pool at Deadwood’s saloon/theater, Calam goes to Chicago to fetch the glamorous actress Adelaid Adams, but she returns instead with Adelaid’s maid, Katie Brown. Katie turns out to be quite a performer herself, and she wins the heart of the young Lieutenant Danny Gilmartin. At the local ball, Calam briefly sheds her tomboy persona and discovers she's in love with Wild Bill Hickok.
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The movie musical Calamity Jane, starring Doris Day as Calamity and Howard Keel as Wild Bill Hickock, opened in 1953, winning an Oscar for Best Song. This stage adaptation of the movie musical, featuring additional songs by Fain & Webster, premiered at the Municipal Theatre in St. Louis in 1961.
Act I
In the wild and humorous Old West of Deadwood City, Dakota Territory, 1876, sharpshooter Calamity Jane dresses, rides and shoots like a man. Still, Calamity attracts the romantic attention of dashing Lt. Danny Gilmartin and the famous Wild Bill Hickok. Fussbudget Henry “Millie” Miller, owner of Deadwood’s hotel/bar/theatre, nervously awaits the arrival of a lovely East coast actress named Frances Fryer, whom he has hired to headline his show. Henry’s niece, Susan, assures him that Calamity will bring the stagecoach to town on time. Calamity arrives to much fanfare (“Deadwood Stage”). Bill and the men hope Francis will be as glamorous as the East Coast’s most alluring star, Adelaid Adams (“Adelaid”), but Millie secretly discovers the “actress” has turned out to be a young man named “Francis” and not “Frances” (“Everyone Complains About the Weather”). Meanwhile, Calamity grows exasperated by everyone’s obsession with the opposite sex (“Men!”).
The show must go on, and Millie dresses Fryer as a woman. But when Fryer’s wig falls off during the act (“A Hive Full of Honey”), the local characters rise in noisy anger. Calam restores order with her trusty pistol and promises that Millie, to make amends, will next feature Adelaid Adams herself. The men are overjoyed, but Will Bill, Lt. Danny, and Millie know full well that Adelaid Adams wouldn’t be caught dead in Deadwood.
After a rip-roaring song-battle with her archrival, Wild Bill (“I Can Do Without You”), Calam storms out and heads for Chicago. She watches Adelaid’s show (“’Tis Harry I’m Panning to Marry”) then slips backstage, where she mistakes Adelaid’s maid, Katie Brown, for the great actress herself. Katie sees this misunderstanding as her big opportunity, so she and Calam stagecoach back to Deadwood, where Katie is greeted as the famed Adelaid Adams. Calam entertains the bar crowd with a colorful account of their experience in Chicago (“Just Blew in from the Windy City”).
That evening, Katie performs her act at the Golden Garter (Reprise: “‘Keep It Under Your Hat”), but when Fryer reveals her true identity, Katie breaks down and loses her way. Calam masterfully takes control of the audience and saves the day; Katie gives a show-stopping performance and wins the hearts of everyone in Deadwood, particularly those of Danny and Wild Bill.
Act II
Katie decides to stay in town and moves in with Calamity. Wild Bill watches them head off to their new home together, and it’s clear he’s in love (“Higher Than a Hawk”). Katie helps Calamity fix up her cabin (“A Woman’s Touch”) and they discuss their plans for the upcoming ball. Calamity had hoped to go with Lt. Danny, but it’s clear that Katie and Lt. Danny are in love (“Love You Dearly”). Unaware of the romance, Calam agrees to go with Wild Bill, hoping to ditch him and win Danny’s heart.
The ball begins (“The Black Hills of Dakota”) and Calam, dressed in Katie’s finery, is the belle of the event. But her hour of triumph explodes when she finds Katie with Danny. In a fit of jealous anger, she orders Katie to leave town, but Wild Bill corners her and forces her to confront her true feelings. Taking a hard look at herself, Calamity realizes that all along it was Bill and not Danny that she loved (“Secret Love”). The show closes joyously with all of Deadwood’s citizens attending a double wedding: Calam to Wild Bill, and Katie to Lt. Danny Gilmartin (“Finale”).
Principal Roles
CALAMITY JANE – A young, scrappy sharpshooter of 23. Feisty, stubborn, and prone to telling tall tales, Calamity is also naive, vulnerable and immensely likable. WILD BILL HICKOCK – Man of about 35, a handsome figure, professional gambler and ex-peace officer; in love with Calamity but doesn’t know it. LT. DANNY GILMARTIN – Young second lieutenant attached to nearby fort, tall, handsome, the man Calamity dreams about, but who falls in love with: KATIE BROWN – A stage-struck young lady of considerable beauty and talent, who, posing as a famous actress, comes West and captures the affection of all men in Deadwood City. HENRY MILLER ("MILLIE") – The erratic fuss-budget who owns and operates Deadwood’s Golden Garter, a hotel/bar/theatre. Millie’s about 50 and always but one jump ahead of a nervous breakdown. SUSAN – The young, friendly and pretty niece of Miller who is in charge. She will fall in love with: FRANCIS FRYER – An Eastern song-and-dance man importer by Miller as an entertainer on the assumption that the “Francis” is a “Frances,” providing worrisome complications. ADELAID ADAMS – The theatre star Katie impersonates. A beautiful but affected woman.
Supporting Roles
RATTLESNAKE – An old, bewhiskered, fossilized stagecoach driver. “DOC” PIERCE – Deadwood’s “improvised” doctor and undertaker — a poker-playing pal of Hickock’s. JOE – Bartender at The Golden Garter. THEATRE MANAGER OF THE BIJOU
Ensemble
Indians, prospectors, bullwhackers, bartenders, blacksmith, soldiers, officers, their wives, women of the town, merchants, teamsters, trappers, chorus girls, passersby in Chicago Street scene, etc.
Deadwood, South Dakota in the 1870s.
“Circle the wagons and go! It’s joyous, joyous stuff.” – The Daily Review (Melbourne, Australia)
“Still riding high… Calamity has shot back into town like a blast of fresh air across the dusty Dakota plains… full of verve and exuberant energy.” – The Sydney Morning Herald
“Yeeey-haah!… Calamity Jane is full of fun, fabulous music and pistol-packing action!… a tight, funny, and witty script and the songbook is to die for… it is a classic musical that will appeal to young and old, and the songs are some of the best that you will hear in any stage musical.” – City Life (Lichfield, Staffordshire, England)
“A lovingly chaotic cabaret-cum-rom-com… To say that Calamity Jane has arrived, then, is somewhat of an understatement.” – The Guardian
“Still manages to rouse the audience with its rootin’ tootin’ dance routines and songs like ‘Secret Love’ and ‘Just Blew in from the Windy City.’” – Manchester’s Finest
Calamity Jane – UK Tour Trailer
Calamity Jane in Sydney
1. Overture – Orchestra 2. Opening Act One, Scene One – Orchestra 3. “Deadwood Stage” – Calamity, Bill, Mitter & Company 4. “Adelaid” – Bill & Men 5. “Everyone Complains About the Weather” – Fryer 6. “Weather Dance” – Fryer 7. “Men!” – Calamity 8. Opening Act One, Scene Two – Orchestra 9. “Careless with the Truth” – Calamity, Bill & Men 10. “A Hive Full of Honey” – Fryer 11. “Adelaid Ballet” – Orchestra & Men 12. Opening Act One, Scene Three – Orchestra 13. “Weather Dance Lesson” – Fryer 14. “I Can Do Without You” – Calamity & Bill 15. Opening Act One, Scene Five – Orchestra 16. Backstage Harry – Orchestra 17. Opening Act One Scene Six – Orchestra 18. “’Tis Harry I’m Planning to Marry” – Adelaid, Boys & Girls 19. “’Tis Harry I’m Planning to Marry (Reprise)” – Katie 20. Scene Change: Act One, from Scene Six, Underscore Seven, Eight – Orchestra 21. “Just Blew in From the Windy City” – Calamity & Men 22. Adelaid Background – Men 23. Adelaid Curtain – Men 24. Scene Change: Act One, Scene Nine to Ten – Orchestra 25. “Keep It Under Your Hat” – Katie 26. “Keep It Under Your Hat (Reprise)” – Katie 27. “Exaggeration Ballet” – Company
28. Entr’acte – Orchestra 29. Opening Act Two, Scene One – Orchestra 30. “Higher Than a Hawk” – Bill 31. Scene Change: Act Two, Scene One to Two – Bill 32. “A Woman’s Touch” – Calamity & Katie 33. Underplay: A Woman’s Touch – Orchestra 34. “Love You Dearly” – Katie & Danny 35. Scene Change: Act Two, Scene Two to Three – Orchestra 36. “The Black Hills of Dakota” – Company 37. Opening Act Two, Scene Four – Orchestra 38. Polka: I Can Do Without You – Orchestra 39. Scene Change: Act Two, Scene Five to Six – Orchestra 40. “’Tis Harry I’m Planning to Marry (Second Reprise)” – Katie 41. “’Tis Harry I’m Planning to Marry (Third Reprise)” – Katie 42. Opening Act Two, Scene Seven – Orchestra 43. Underplay: I Can Do Without You – Orchestra 44. “My Secret Love” – Calamity 45. “Weather Dance (Reprise)” – Orchestra & Fryer 46. Scene Change: Act Two, from Scene Eight, underscore Nine, to Ten – Orchestra 47. “Finale” – Company 48. Exit Music – Orchestra
Full Orchestration
Violin 1 (2 stands, 4 players) Violin 2 (2 players) Viola (2 players) Cello (2 players) Bass
Reed 1: Clarinet, Alto Saxophone & optional Flute Reed 2: Clarinet & Alto Saxophone Reed 3: Clarinet & Tenor Saxophone Reed 4: Clarinet, Bass Clarinet & Baritone Saxophone
Horns 1 & 2 Trumpets 1 & 2 Trombone 1 Trombone 2
Percussion: Timpani (2 pedal drums), Xylophone, Bells, Vibraphone, Trap Set [Bass Drum, Snare Drum (brushes & sticks), Tom Tom, Suspended Cymbal], Wood Blocks (2 pitches), Temple Blocks, Triangle, Cowbell, Ratchet, Tambourine & Castanets.
Guitar & Banjo Piano & Celeste
Note: This orchestration requires 25 players. However, the orchestra parts were voiced so that it is possible to use as few as ten players: Bass, Percussion, Piano, 4 Reeds, 2 Trumpets and Trombone I
25 Libretto-Vocal Book 1 Piano-Conductor 1 Reed 1 1 Reed 2 1 Reed 3 1 Reed 4 2 Horn 1&2 2 Trumpet 1&2 1 Trombone 1 1 Trombone 2 1 Percussion 1 Guitar 1 Piano 2 Violin 1 1 Violin 2 1 Viola 1 Cello 1 Bass
25 Libretto-Vocal Book 1 Piano-Conductor
Charles K. Freeman (1900-1980) was a writer, director and theatre critic whose career spanned five decades.
Born in England and educated in Boston with graduate studies at Oxford, England and the Sorbonne, Paris, Freeman remained consistently busy with the theatre, film and te ...
Multiple Authors