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A SAMUEL FRENCH, INC. TITLE
Full-Length Play, Drama / 9m
Mart Crowley
In 2018, The Boys in the Band made its Broadway debut at the Booth Theatre in an unprecedented production featuring a cast of entirely out-and-proud gay actors. “Its reappearance now is a triumph of liberation.” – Jesse Green, The New York Times
Image: 2018 Broadway Production (Joan Marcus)
In his Upper East Side apartment, Michael is throwing a birthday party for Harold, a self-avowed "thirty-two-year-old, pockmarked, Jew fairy," complete with surprise gift: "Cowboy," a street hustler. As the evening wears on – fueled by drugs and alcohol – bitter, unresolved resentments among the guests come to light when a game of "Truth" goes terribly wrong.
This groundbreaking play premiered Off-Broadway in 1968 and ran for 1,001 performances. It was subsequently made into a feature film with the original cast, directed by Academy Award-winner William Friedkin. In 2018, The Boys in the Band made its Broadway debut at the Booth Theatre in an unprecedented production featuring a cast of entirely out-and-proud gay actors. This new edition contains both the original two-act script and the one-act Broadway version, as well as an introduction by celebrated playwright Tony Kushner.
The Boys In the Band was first presented at Theatre Four in New York City on April 14, 1968. It was directed by Robert Moore.
Michael's apartment on the East Side in New York City. 1968.
“Revelatory and dazzlingly entertaining... the excoriating wit is still there.” – New York Post
“A drama that marked a turning point in the American theater.” – Washington Post
“A play of real substance, one that deserves to be performed not occasionally but regularly.” – Wall Street Journal
“One of the few plays that honestly helped spark a social revolution.” – Associated Press
“Terrifically thoughtful... The Boys in the Band emerges remarkably universal.” – NY1
“Deliriously delicious.” – Gay City News
“Humor is still on key in this poignant, sparkling revival of a landmark gay play... The star of the evening is the play itself: solidly built, still moving and enormously entertaining.” – New York Daily News
“This is a play that takes the homosexual way of life totally for granted and uses this as a valid basis for human experience... the power of the play is the way in which it remorselessly peels away the pretensions of its characters.” – New York Times
ON BREAKING CHARACTER
Musical Theatre and the LGBTQ+ Audience: An Interview with Patrick Pacheco by Jim Colleran June 20, 2019
Mart Crowley (1935-2020) was born in Vicksburg, Mississippi and educated at The Catholic University of America in Washington D.C. After graduating from the drama department, he went to New York to pursue a career in the theatre and landed jobs as production assistant to the d ...