Anything Goes (2022 Revision)

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Anything Goes (2022 Revision)

Full-Length Musical, Comedy  /  3w, 4m plus ensemble

Music and Lyrics by Cole Porter
Original Book by P.G. Wodehouse & Guy Bolton
and Howard Lindsay & Russel Crouse
New Book by Timothy Crouse & John Weidman

This version of Anything Goes was adapted from the 1987 Broadway revival, originally produced by Lincoln Center Theater.

A hilarious shipboard romp wrapped in one of Cole Porter's most magical scores. It's delightful, delicious and de-lovely!

Image: 2021 Barbican Theatre Production (Tristram Kenton)

Anything Goes (2022 Revision)

  • Cast Size
    Cast Size
    3w, 4m plus ensemble
  • Duration
    Duration
    More than 120 minutes (2 hours)
  • SubGenre
    Subgenre
    Period, Romantic Comedy
  • Audience
    Target Audience
    Adult, Pre-Teen (Age 11 - 13), Teen (Age 14 - 18)
Accolades
Accolades
  • Winner! Three 1988 Tony Awards, including Best Revival
    Winner! Three 1988 Drama Desk Awards, including Outstanding Revival
    Winner! Three 2011 Tony Awards, including Best Musical Revival
    Winner! Five 2011 Drama Desk Awards, including Best Revival
    Nominee: Two 2022 Olivier Awards, including Best Musical Revival

Details

Summary

Music, dance, laughs and the age-old tale of boy meets girl... Anything Goes is delightful, delicious and de-lovely.

Two versions of Anything Goes are available for licensing: the 1962 version and this 2022 Revision. This version, based on the 1987 Lincoln Center production at the Vivian Beaumont Theater, features a revised script, updated in light of contemporary sensibilities. In this version, the race of the characters is not pivotal to the plot. We encourage you to consider diversity and inclusion in your casting choices.

Both versions may be accompanied by a piano, small instrumental combo or full orchestra. This 2022 Revision has twice as much dance music as the 1962 version and includes the hits "I Get a Kick Out of You," "You're the Top," "Friendship," "It's De-Lovely" and the title song, along with "Easy to Love," “Goodbye, Little Dream, Goodbye” and "Buddie, Beware." (The 1962 version also includes "Heaven Hop," "Let's Step Out," "Let's Misbehave" and "Take Me Back to Manhattan.")

Professional Artwork Available for Your Production of Anything Goes!
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History

Anything Goes premiered on Broadway on 21 November 1934 at the Alvin Theatre, where it ran for 420 performances, becoming the fourth longest-running musical of the 1930s. A revised version of the show opened off-Broadway at the Orpheum Theatre on 15 May 1962, starring Eileen Rodgers as Reno Sweeney and Hal Linden as Billy Crocker. In 1987, Lincoln Center Theater produced an updated version of the show. Opening at Broadway’s Vivian Beaumont Theater on 19 October 1987, the show starred Patti LuPone, Howard McGillin and Bill McCutcheon, won the Tony Award for Best Revival, and played for 784 performances.

In 2011, the Beaumont version was revived at the Stephen Sondheim Theatre on Broadway, starring Sutton Foster and Joel Grey. Once again, Anything Goes won the Tony for Best Musical Revival, and the production ran for 521 performances.

Act I

In a New York City bar in the early 1930s, successful Wall Street banker Elisha Whitney waits impatiently for his assistant, Billy Crocker. Billy drops off some items for Whitney’s upcoming vacation, but forgets Whitney’s passport. Billy agrees to deliver it on the cruise ship the following morning. As Whitney exits, Billy’s old friend Reno Sweeny arrives. A sexy Evangelist turned nightclub singer, Reno plans to travel on the same boat as Whitney. Reno is quite fond of Billy (“I Get A Kick Out Of You”), but Billy is in love with a girl named Hope Harcourt.

The next morning, The SS American is set to sail (“There’s No Cure Like Travel”). The ship’s passengers include: American debutante Hope Harcourt; her wealthy English fiancé Lord Evelyn Oakleigh; Hope’s widowed mother, Evangeline Harcourt; Minister Henry T. Dobson and his two recent converts, a pair of rascally street toughs named Spit and Dippy; Reno Sweeny and her four showgirl Angels; and gangster (and Public Enemy #13) Moonface Martin, disguised as a minister, with his accomplice Erma. When Billy boards the ship, Whitney tells him to sell all shares of Amalgamated stock. But Billy is distracted when he discovers that Hope is sailing with her fiancé. He inadvertently identifies Minister Dobson as Moonface Martin, so two F.B.I. agents throw the minister in the ship’s brig, leaving Spit and Dippy – who turn out to be skilled pickpockets – to wander the ship without supervision.

Moonface and Erma thank Billy by offering him the unused ticket of their friend, Snake Eyes Johnson, who is wanted by the FBI as Public Enemy #1. Billy, determined to win Hope’s heart, accepts the ticket just as the ship sets off (“Bon Voyage/There’s No Cure Like Travel”). Reno agrees to help Billy, but first she has to boost his confidence (“You’re The Top”). While Evelyn nurses a bout of seasickness, Billy spends some time alone with Hope (“Easy To Love”), but she feels obligated to marry Evelyn. Meanwhile, Whitney, an old Yale man, unsuccessfully attempts to woo Evangeline (“The Crew Song”).

Moonface and Erma come clean to Billy, and they help disguise him as a sailor (“There’ll Always Be A Lady Fair”). While Billy masquerades as a sailor, Spit and Dippy make a killing by expertly playing cards, picking pockets and shooting craps. Moon and Reno come up with a plan for Reno to seduce Evelyn and break off his engagement to Hope (“Friendship”). Though the plan fails, Reno develops a genuine romantic interest in Evelyn.

While donning crazy disguises, Billy and Moon tell Evangeline that Evelyn is insane, but Hope reveals Billy’s true identity. Hope is distraught by Billy’s antics, but – with Reno’s encouragement – she warms to his advances (“It’s De-lovely”). The Purser finally catches Billy and arrests him for being Snake Eyes Johnson, Public Enemy Number 1. The captain and passengers are thrilled to have a celebrity onboard, however, and they all rejoice (“Anything Goes”).

Act II

Billy and Moon continue to receive star treatment (“Public Enemy Number One”). Reno and her Angels lead a nightclub act that is part entertainment, part religious revival. Several passengers confess to immoral behavior in the past: Evelyn confesses to a youthful tryst with a young Hollywood actress who was playing Anne Boleyn, and Billy apologizes to Hope, admitting his deceit. Reno leads a rousing musical celebration (“Blow, Gabriel, Blow”), but the passengers are outraged that Billy is no celebrity, so Billy and Moon are sent to the ship’s brig. Evangeline announces that Hope and Evelyn will be married in the morning, and Hope is devastated (“Goodbye, Little Dream, Goodbye”).

In jail, Moon tries to cheer Billy up (“Be Like The Blue Bird”) and Billy receives a love note from Hope (“All Through The Night”). Meanwhile on deck, Evelyn realizes he’s in love with Reno (“The Gypsy in Me”). Spit and Dippy are jailed for gambling onboard. Reno visits the jail, and updates Billy and Moon. Spit reveals that he picked the Purser’s pocket, acquiring the jail cell keys. Before they escape, Spit and Dippy change clothes with Billy and Moon so everyone will be harder to detect. Meanwhile, on deck, Erma entertains a group of sailors (“Buddie, Beware”).

The wedding begins, but it’s soon interrupted by Billy and Moon, dressed in Spit and Dippy’s clothing, along with Reno, disguised as “Anne Boleyn.” The three impostors manage to cancel the wedding, and soon Hope and Billy end up together, as do Reno and Evelyn, and Evangeline and Whitney. Billy confesses that he never sold the shares of Amalgamated stock, but a telegram arrives saying that Amalgamated stock has gone through the roof, and Whitney is richer than ever! As the captain officiates a triple wedding, the entire company celebrates (Finale: “It’s De-lovely”).

Principals
(3 female, 4 male)

Reno Sweeney – A brassy evangelist turned nightclub singer
Hope Harcourt – A well-known debutante
Lord Evelyn Oakleigh – A wealthy Englishman
Elisha Whitney – A google-eyed tycoon
Billy Crocker – Whitney’s young assistant
Moonface Martin – A hapless gangster, Public Enemy No. 13
Erma – A tough gangster’s moll

Supporting
(5 female, 8 male)

Evangeline Harcourt – Hope’s mother, a widow [non-singing]
Spit and Dippy – Two rascally New York City street toughs
Captain – Of the S.S. American
Purser – Aboard the S.S. American
Purity – Showgirl Angel #1 with Reno’s act
Chastity – Showgirl Angel #2 with Reno’s act
Charity – Showgirl Angel #3 with Reno’s act
Virtue – Showgirl Angel #4 with Reno’s act
Male Quartet of Sailors

Assorted Others
Fred – A bartender
Henry T. Dobson – A minister
2 Reporters
News Photographer
2 F.B.I Agents
Old Lady in a Wheelchair

Ensemble
Sailors
Passengers – Men and women
Ship’s Crew – Male chorus/dancers
Ship’s Passengers – Men and women, singers/dancers

The original Broadway production had a cast of 32 performers, including chorus. Some doubling was employed in the minor parts.

Note: In this show, the race of the characters is not pivotal to the plot. We encourage you to consider diversity and inclusion in your casting choices.

  • Time Period 1930s
  • Setting The SS American, a luxury liner sailing from New York to London. 1934.
  • Features Period Costumes
  • Duration More than 120 minutes (2 hours)
  • Cautions
    • Alcohol
    • Mild Adult Themes

Media

“If you’re looking for sheer escape, this is your ticket!” – The Washington Post

“Reno Sweeney may get no kick from champagne, but the audience can't be blamed for drinking it all up.” – Frank Rich, The New York Times

“The score to the shenanigans-at-high-seas story includes a bevy of old-school delights, including the messianic barn-burner 'Blow, Gabriel, Blow,' the whimsically romantic 'It's De-lovely' and the unstoppable title tune.” – Chicago Sun-Times

Anything Goes exists to put a daffy grin on your face... if you’re looking for sheer escape, this is your ticket!” – The Washington Post

“Cole Porter songs and tap-dancing sailors? What’s not to love?... The show is so packed with daffy physical shtick, comical dialogue and those still dazzlingly clever Cole Porter lyrics that it’s impossible not to surrender.” – The Hollywood Reporter

Anything Goes is Cole Porter at his best.” – DC Metro Arts

Videos

  • Anything Goes - 65th Annual Tony Awards youtube thumbnail

    Anything Goes - 65th Annual Tony Awards

  • Anything Goes - 1988 Tony Awards youtube thumbnail

    Anything Goes - 1988 Tony Awards

  • "Blow, Gabriel, Blow" on Letterman youtube thumbnail

    "Blow, Gabriel, Blow" on Letterman

  • Anything Goes - Highlights youtube thumbnail

    Anything Goes - Highlights

  • Anything Goes - Sizzle Reel youtube thumbnail

    Anything Goes - Sizzle Reel

More videos +

Photos

  • Anything Goes (2022 Revision)

    Image: 2021 Barbican Theatre Production (Tristram Kenton)

Music

Music Samples

Act I

1. Overture – Orchestra
2. Underscore: Buddie, Beware – Orchestra
3. “I Get A Kick Out Of You” – Reno
3a. Reprise: “I Get a Kick Out Of You” – Reno
4. “There’s No Cure Like Travel” – Captain & Sailors
5. “Bon Voyage” – Sailors & Passengers
6. “You’re The Top” – Reno & Billy
6a. Playoff: You’re The Top – Orchestra
7. “Easy To Love” – Billy
7a. Reprise: “Easy To Love” – Hope
8. “The Crew Song” – Whitney
8a. Crew Move #1 – Orchestra
8b. Crew Move #2 – Orchestra
9. “There’ll Always Be A Lady Fair” – Quartet of Sailors
10. “Friendship” – Reno & Moon
10a. Chaser: Friendship – Orchestra
11. “It’s De-lovely” – Billy & Hope
12. “Anything Goes” – Reno & Chorus

Act II

13. Entr’acte – Orchestra
14. “Public Enemy Number One” – Captain, Purser & Passengers
15. Gabriel Entrance – Orchestra
16. “Blow, Gabriel, Blow” – Reno & Chorus
16a. “Dance: Blow, Gabriel, Blow” – Reno & Chorus
16b. Playoff: Blow Gabriel, Blow – Orchestra
17. “Goodbye, Little Dream, Goodbye” – Hope
17a. Scene Change: Goodbye – Orchestra
18. “Be Like The Bluebird” – Moon
19. “All Through The Night” – Billy, Hope & Quartet of Sailors
19a.  Scene Change: All Through The Night – Orchestra
20. “The Gypsy In Me” – Evelyn
20a.  Playoff:  Gypsy In Me – Orchestra
20b.  Scene Change:  Bon Voyage – Orchestra
21. “Buddie, Beware” – Erma & Quartet of Sailors
22. Wedding March – Orchestra
23. Finale: “It’s De-lovely” – Soloists & Chorus
24. Bows – Orchestra
25. Exit Music – Orchestra

Note: There are two orchestrations available. The Full Orchestration is the Beaumont version. A Flexbo Orchestration is available for licensees looking for a smaller pit orchestra option.

Full Orchestration (Beaumont):

1   Reed 1 – Piccolo, Flute, Clarinet & Alto Saxophone 
1   Reed 2 – Flute, Clarinet, Soprano Saxophone & Alto Saxophone 
1   Reed 3 – Oboe (or Clarinet), English Horn (or Clarinet), Clarinet & Tenor Saxophone 
1   Reed 4 – Clarinet, Bass Clarinet, Tenor Saxophone & Baritone Saxophone 
2   Trumpet 1&2 – Both dbl. Flügelhorn 
1   Trumpet 3 – dbl. Flügelhorn
1   Trombone 1 
1   Trombone 2 
1   Trombone 3 – Bass Trombone 
2   Percussion 1&2 – Trap Set Player: Bass Drum, Snare Drum, Tom-Toms, Floor Tom, Cow Bell, Wood Block, Small & Large Triangle, Temple Blocks, Cymbals (various Suspended, Splash, Chip, Ride), Hi-Hat & Gong. Mallet Player: Glockenspiel (Bells), Vibraphone, Xylophone, Marimba, Snare Drum, Field Drum (or Snare Drum w/o snares), Bongo Drums, Suspended Cymbal, Piatti, Finger Cymbals, Small Triangle, Cow Bell, Wood Block, Ship’s Bell, Temple Blocks, Maracas, Castanets, Cabasa, Tambourine, Ratchet, Sandpaper Blocks, Bird Whistle & Siren Whistle
1   Guitar – dbl. Banjo and 12-String Guitar 
1   Piano – dbl. on Keyboard Synthesizer for Celesta, Harmonium, Harpsichord & Church Organ registrations
1   Violin (1 Player) 
1   Bass

Additional Material:
A full score is available for this title for an additional fee. Please contact your licensing representative for additional information.


Flexbo Orchestration:
The Flexbo is the best way to have the advantage of orchestral writing while using a smaller ensemble. The foundation of a Broadway orchestration is the rhythm section: Piano, Bass and Drums. The remainder of the orchestra — woodwinds, brass and strings — are the “melodic” parts added to provide richness, depth and tonal color. The number of players required for these added parts may be as few as nine and more often twenty to twenty-five. The four Flexbo parts, A, B, C and D, contain the essential musical lines heard from the “melodic” instruments in the full orchestration. While the best results will be achieved using all four Flexbo parts, they have been cued so that even fewer of them can be used.

1   Piano-Conductor (rehearsal & performance)
1   Flexbo A – Trumpet
1   Flexbo B – Alto Saxophone, Clarinet & optional Flute & Piccolo
1   Flexbo C – Tenor Saxophone & Clarinet
1   Flexbo D – Trombone
2   Percussion 1&2 (Mallet Player is optional) – Trap Set Player: Bass Drum, Snare Drum, Tom-Toms, Floor Tom, Cow Bell, Wood Block, Small & Large Triangle, Temple Blocks, Cymbals (various Suspended, Splash, Chip, Ride), Hi-Hat & Gong. Mallet Player: Glockenspiel (Bells), Vibraphone, Xylophone, Marimba, Snare Drum, Field Drum (or Snare Drum w/o snares), Bongo Drums, Suspended Cymbal, Piatti, Finger Cymbals, Small Triangle, Cow Bell, Wood Block, Ship’s Bell, Temple Blocks, Maracas, Castanets, Cabasa, Tambourine, Ratchet, Sandpaper Blocks, Bird Whistle & Siren Whistle
1   Guitar – (optional) dbl. Banjo & Twelve String Guitar
1   Bass

The Flexbo arrangement has been designed to sound complete when played by Piano only, or with the addition of one to eight players. The Piano is essential and must use the Piano-Conductor’s Score.

Parts A, B, C and D must be added in alphabetical order. (Part B may not be used without Part A, etc.)

The rhythm section players may be added to the Piano in any sequence, although Bass and one Percussion (on trap set) are more valuable than the two optional parts (Guitar and Mallet Percussion).

  • Musical Style Classic Broadway
  • Dance Requirements Moderate
  • Vocal DemandsModerate
  • Orchestra Size X-Large
  • Chorus Size Large

Licensing & Materials


  • Please submit a license request to determine availability.
    PLEASE BE ADVISED: There are multiple versions of this title. Before you proceed, please double-check to ensure that you are applying for the version you want. We will not be able to refund rental or shipping fees if you pay for the wrong version.

    Both ANYTHING GOES (2022 REVISION) and ANYTHING GOES (1962) have multiple orchestra package options. These orchestrations are significantly different, so please choose carefully.

    If you’re not sure which version best suits your needs, you may purchase a perusal for each available version.

    ANYTHING GOES (1962)

    ANYTHING GOES (2022 REVISION)

    ANYTHING GOES: YOUTH EDITION

Music Rentals

Concord offers a full suite of resources to help you put on the show of a lifetime!

Note: There are two orchestrations available. The Full Orchestration is the Beaumont version. A Flexbo Orchestration is available for licensees looking for a smaller pit orchestra option.

Full Orchestration (Beaumont):

20   Libretto-Vocal Book
1   Piano-Conductor (rehearsal & stick conductor)

1   Reed 1 – Piccolo, Flute, Clarinet & Alto Saxophone 
1   Reed 2 – Flute, Clarinet, Soprano Saxophone & Alto Saxophone 
1   Reed 3 – Oboe (or Clarinet), English Horn (or Clarinet), Clarinet & Tenor Saxophone 
1   Reed 4 – Clarinet, Bass Clarinet, Tenor Saxophone & Baritone Saxophone 
2   Trumpet 1&2 – Both dbl. Flügelhorn 
1   Trumpet 3 – dbl. Flügelhorn
1   Trombone 1 
1   Trombone 2 
1   Trombone 3 – Bass Trombone 
2   Percussion 1&2 – Trap Set Player: Bass Drum, Snare Drum, Tom-Toms, Floor Tom, Cow Bell, Wood Block, Small & Large Triangle, Temple Blocks, Cymbals (various Suspended, Splash, Chip, Ride), Hi-Hat & Gong. Mallet Player: Glockenspiel (Bells), Vibraphone, Xylophone, Marimba, Snare Drum, Field Drum (or Snare Drum w/o snares), Bongo Drums, Suspended Cymbal, Piatti, Finger Cymbals, Small Triangle, Cow Bell, Wood Block, Ship’s Bell, Temple Blocks, Maracas, Castanets, Cabasa, Tambourine, Ratchet, Sandpaper Blocks, Bird Whistle & Siren Whistle
1   Guitar – dbl. Banjo and 12-String Guitar 
1   Piano – dbl. on Keyboard Synthesizer for Celesta, Harmonium, Harpsichord & Church Organ registrations
1   Violin (1 Player) 
1   Bass

Additional Material:
A full score is available for this title for an additional fee. Please contact your licensing representative for additional information.


Flexbo Orchestration:
20   Libretto-Vocal Book
1   Piano-Conductor (rehearsal & performance)

1   Flexbo A – Trumpet
1   Flexbo B – Alto Saxophone, Clarinet & optional Flute & Piccolo
1   Flexbo C – Tenor Saxophone & Clarinet
1   Flexbo D – Trombone
2   Percussion 1&2 (Mallet Player is optional) – Trap Set Player: Bass Drum, Snare Drum, Tom-Toms, Floor Tom, Cow Bell, Wood Block, Small & Large Triangle, Temple Blocks, Cymbals (various Suspended, Splash, Chip, Ride), Hi-Hat & Gong. Mallet Player: Glockenspiel (Bells), Vibraphone, Xylophone, Marimba, Snare Drum, Field Drum (or Snare Drum w/o snares), Bongo Drums, Suspended Cymbal, Piatti, Finger Cymbals, Small Triangle, Cow Bell, Wood Block, Ship’s Bell, Temple Blocks, Maracas, Castanets, Cabasa, Tambourine, Ratchet, Sandpaper Blocks, Bird Whistle & Siren Whistle
1   Guitar – (optional) dbl. Banjo & Twelve String Guitar
1   Bass

See Orchestrations button (above) for additional information about the Flexbo orchestration.

20   Libretto-Vocal Book
1   Piano-Conductor (rehearsal & performance)

Add-Ons

Take a look below at how you can enhance your show!

Authors

Cole Porter

Cole Porter was born in Peru, Indiana in 1891 and died in Hollywood 73 years later. In between, he wrote some of the most memorable songs ever heard on stage or screen, among them “Night and Day,” “Begin the Beguine,” “You’re The Top,” “I Get a Kick Out of You,” “Love For Sal ...

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P.G. Wodehouse

P.G. Wodehouse (1881-1975) and Guy Bolton (1884-1979) were both born in England. They were introduced by Jerome Kern, and he suggested they all work together. They did, tirelessly, and in the beginning of their collaboration wrote nearly one show per month: the famed Princess ...

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Guy Bolton

Guy Bolton (1884-1979) was born in Broxbourne, Hertfordshire, England, on November 23, 1884. Bolton famously collaborated with Jerome Kern and P.G. Wodehouse on a series of buoyant musicals for the 299-seat Princess Theatre, including Have A Heart; Oh, Boy!; Leave It To Jane; ...

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Howard Lindsay

Howard Lindsay (1889-1968) was an actor, stage manager, director and playwright before teaming up with Russel Crouse. Lindsay and Crouse's partnership stands today as the longest collaboration of any writers in theatrical history, lasting for more than 28 years. The two men f ...

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Russel Crouse

Russel Crouse (1893-1966) was a newspaperman, a press agent for the Theatre Guild, the author of several books and a librettist before partnering with Howard Lindsay. Lindsay and Crouse's partnership stands today as the longest collaboration of any writers in theatrical histo ...

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Timothy Crouse

Timothy Crouse has been a contributing editor of Rolling Stone and The Village Voice, as well as the Washington columnist for Esquire, writing numerous articles for these other publications, including the New Yorker. He is the author of The Boys on the Bus, a classic account ...

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John Weidman

John Weidman wrote the book for Pacific Overtures (Tony nominations, Best Book and Musical), score by Stephen Sondheim, produced and directed by Harold Prince. He co-authored the Tony Award-winning 1987 revival of Cole Porter's Anything Goes and wrote the book for Assassins, ...

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