Eureka Day

A DRAMATISTS PLAY SERVICE TITLE

Eureka Day

Full-Length Play, Comedy  /  3w, 2m

Winner of the 2025 Tony Award for Best Revival of a Play! The Eureka Day School in Berkeley, California, is a bastion of progressive ideals: representation, acceptance, social justice. When a mumps outbreak threatens the Eureka community, facts become subjective and every solution divisive.

Image: 2024 Manhattan Theatre Club Production (Jeremy Daniel)

  • Cast Size
    Cast Size
    3w, 2m
  • Duration
    Duration
    105 Minutes
  • Audience
    Target Audience
    Adult
Accolades
Accolades
  • Winner! 2025 Tony Award for Best Revival of a Play

    Winner! 2025 Drama League Award for Outstanding Revival of a Play

    Winner! 2025 Drama Desk Award for Best Revival of a Play

Eureka Day

Details

Summary

Winner of the 2025 Tony Award for Best Revival of a Play! The Eureka Day School in Berkeley, California, is a bastion of progressive ideals: representation, acceptance, social justice. In weekly meetings Eureka Day’s five board members develop and update policy to preserve this culture of inclusivity, reaching decisions only by consensus. But when a mumps outbreak threatens the Eureka community, facts become subjective and every solution divisive, leaving the school’s leadership to confront the central question of our time: How do you build consensus when no one can agree on truth?

History

Eureka Day premiered at Aurora Theatre Company in Berkeley, California in April 2018. Directed by Josh Costello, the production featured Rolf Saxon, Lisa Anne Porter, Elizabeth Carter, Charisse Loriaux and Teddy Spencer. The play premiered in New York at Walkerspace in August 2019. Directed by Adrienne Campbell-Holt, the production featured Thomas Ray Ryan, Tina Benko, Elizabeth Carter, KK Moggie and Brian Wiles. 

Eureka Day had it's European premiere at The Old Vic on 6 September 2022. Directed by Katy Rudd, the production featured Mark McKinney, Helen Hunt, Susan Kelechi Watson, Kirsten Foster and Ben Schnetzer. 

Eureka Day premiered on Broadway at the Samuel J. Friedman Theatre on 16 December 2024. Directed by Anna D. Shapiro, the production featured Bill Irwin, Amber Gray, Jessica Hecht, Thomas Middleditch, Chelsea Yakura-Kurtz and Eboni Flowers.

DON – Early 60s. White. Head of school. A calming presence. Has worked hard to become the man he is. From New England, moved to Berkeley in the mid-80s chasing the last gasp of hippie-dom. Started in education as a music teacher, and on difficult days fantasizes about going back to it. Has lived with his partner in the same rented in-law unit for 25 years. She makes pottery. They do silent meditation retreats at Esalen three times a year. No kids.

SUZANNE – Mid-50s. White. Warm and gracious. Moved to Berkeley after college when her then-boyfriend now-husband started graduate school at
UC Berkeley. Raising her family and nurturing the school are her life’s work and fully entwined. Once her youngest was in school, she started working part-time as a life coach after being encouraged to it by so many friends who she’d helped through difficult times. Has a home worth four million dollars (though she’ll tell you it was much much much cheaper when they bought it), but thinks of
herself as “comfortable” rather than “wealthy.” Mother of Sebastian, Arlo, Izzy, Juniper, Tompkins, and Walden.

CARINA – Early 40s, Black or biracial. A joiner. Her parents were in the Foreign Service. She grew up overseas and had gone to eight different schools by the time she graduated from high school. This made her skilled at landing in a new environment, figuring out the rules, and putting other people at ease. Her wife is from Berkeley and always wanted to come back, so they moved nine months ago from the East Coast. Isn’t sure how much she loves living here, but is working hard to convince herself she does, because her wife never wants to leave. She’s worked for nonprofits her whole professional life, so has spent A LOT of time in board meetings. And dealing with well-intentioned white people. Mother of Victor. 

MEIKO – Mid-30s, Biracial Japanese/White (describes herself as Hapa). Berkeley native. Wry sense of humor. Went to UC Berkeley and has never lived anywhere else, or wanted to. A landscape architect, which she’s good at but a little bored by. A year after the end of a tortured on-again off-again eight-year relationship, became a single mother by choice, of Olivia. When her daughter was young, Meiko’s mother was effectively a co-parent, but less so now. Would like to have another child, but feels like she’s too old to think about doing it alone, again.

ELI – Mid-30s, White. Jewish or half-Jewish. Oblivious but well-meaning. From Southern California, went to Stanford and then straight into working at a tech start-up. Cashed out three years ago, and has been in search of how to occupy his time and exercise his mind. An expert pickler, competitive rock climber, manager of family wealth. Went through an intense Ayn Rand phase in college, which now fills him with shame, but which he has also never fully shaken. When he and his wife first decided to open up their marriage, they spent many hours in therapy making sure they were approaching it in a thoughtful and intentional way. But that was a long time ago. Father of Tobias.

WINTER – 30s–50s, Person of Color. A parent. This is a walk-on role with no lines. Can be played by an understudy or production assistant.

  • Time Period Contemporary
  • Setting

    The Eureka Day Elementary School, Berkeley, California. Fall 2018.

  • Features Contemporary Costumes/Street Clothes
  • Duration 105 Minutes

Media

“Critic’s Pick! Jonathan Spector’s lively portrait of a debate over mandatory vaccinations is the perfect play for our age of disagreement.” – The New York Times

“Spector… extract[s] comic gold from the little tugs-of-war for control among the members of the committee. But… this comedy of manners yields to a serious probing of interpersonal responsibility and the limits of consideration. …Even as it stakes out a moral position on its subject, Eureka Day avoids the kind of lording dismissal that, in too much of our social-media lives, has become epidemic.” – Time Out New York

Eureka Day [is] so brilliantly yoked to the current American moment – its flighty politics, its deadly folly – that it makes you want to jump out of your skin… The play’s most astonishingly accurate moment comes when the board convenes a livestream… I’m still trying to figure out how hard is appropriate for a critic to laugh at the theatre; this night, I made myself hoarse.” – The New Yorker

Photos

  • Eureka Day

    Image: 2024 Manhattan Theatre Club Production (Jeremy Daniel)

  • Eureka Day

    Image: 2024 Manhattan Theatre Club Production (Jeremy Daniel)

  • Eureka Day

    Image: 2024 Manhattan Theatre Club Production (Jeremy Daniel)

Licensing & Materials

  • Minimum Fee: £55 per performance plus VAT when applicable.

Scripts

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Authors

Jonathan Spector

Jonathan Spector is a Tony Award-winning playwright based in Oakland, California, whose work has been produced on and off-Broadway, regionally and internationally. His plays include Eureka Day (2025 Best Revival: Tony Award, Drama Desk Award, Drama League Award & Dorian Award ...
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