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A CONCORD THEATRICALS TITLE
Full-Length Musical, Drama / 5w, 2m, 1 any gender (adult) plus ensemble
Book, Music & Lyrics by Anaïs Mitchell
Anaïs Mitchell's haunting, jazz-inflected folk opera follows Orpheus’ mythical quest to overcome Hades and regain the favour of his one true love, Eurydice.
Please note: Professional rights for Hadestown are currently available in selected international territories. The show is unavailable for amateur performance in the UK and Europe.
Image: 2019 Broadway Production (Matthew Murphy for MurphyMade)
Winner! Eight 2019 Tony Awards, including Best Musical, Best Score and Best Orchestrations Winner! Four 2019 Drama Desk Awards Winner! Six 2019 Outer Critics Circle Awards, including Outstanding New Broadway Musical Winner! 2019 Drama League Award for Outstanding Production of a Musical
This intriguing and beautiful folk opera delivers a deeply resonant and defiantly hopeful theatrical experience. Following two intertwining love stories — that of young dreamers Orpheus and Eurydice, and that of immortal King Hades and lady Persephone — Hadestown invites audiences on a hell-raising journey to the underworld and back. Inspired by traditions of classic American folk music and vintage New Orleans jazz, Mitchell’s beguiling sung-through musical pits industry against nature, doubt against faith, and fear against love.
After its origins as a DIY community theatre project in 2006 and a studio album in 2010, Hadestown electrified audiences with its 2016 world premiere at New York Theatre Workshop, becoming the longest-running show in that celebrated theatre’s 40-year history. The production then received its Canadian premiere at Edmonton’s Citadel Theatre in 2017 and then a 2018 sold-out engagement at London’s National Theatre. Hadestown opened on Broadway at the Walter Kerr Theatre on 17 April 2019, developed with and directed by Rachel Chavkin, starring Reeve Carney, André De Shields, Amber Gray, Eva Noblezada and Patrick Page. Hadestown made its West End debut in February 2024 at the Lyric Theatre, London. Directed by Chavkin, the production featured Dónal Finn, Grace Hodgett Young, Zachary James, Melanie La Barrie and Gloria Onitiri.
Principals (5f, 3m) + Ensemble ORPHEUS – Lyre-playing poet, gifted and naïve EURYDICE – A runaway, tough and vulnerable HADES – Compulsive industrialist, boss-king of Hadestown PERSEPHONE – Queen of nature and the seasons, a lush HERMES – Charismatic guide and storyteller, mentor to Orpheus FATES – Three sisters, vicious and delicious, voices in the head WORKERS – Spirits of labor and community, a physical and choral presence In the Broadway production, the WORKERS were performed by an ensemble of five performers. AUTHOR'S NOTES: BAND – The onstage BAND, while not listed with the characters above, is an omnipresence in Hadestown, and may join in the singing at times. For licensees using performance tracks, we've provided suggested workarounds for "Road To Hell" and Our Lady Of The Underground" (two numbers in which the BAND is directly introduced).
WORKERS – In the Broadway production, the WORKERS were performed by five ensemble members. Performer tracking for those five roles has been retained as follows: WORKER 1: Mezzo-Soprano; WORKER 2: Alto; WORKER 3: Tenor; WORKER 4: Baritenor; WORKER 5: Baritone. While the vocal arrangements were designed for an ensemble of five performers, licensees are welcome to envision these WORKER roles with a larger ensemble and add to the existing minimum cast framework to suit their cast. HERMES – The character of HERMES has been played on Broadway by both male- and female-identifying performers. In the latter case, whenever HERMES is referred to as “Mister Hermes,” performers should use “Missus Hermes.” There is no alternate vocal score, but every HERMES should feel free to place lines or verses in a different octave if it feels or sounds better.
Along those lines, we are still discovering ways in which the casting of Hadestown can become more diverse, and your production will be part of that discovery! These mythic characters are archetypal but also reimagined and open to interpretation by actors of all gender identities. It has felt important to us both to reflect the diversity of the community in which the story is presented and to be mindful of the narrative implications of those choices. For any questions regarding casting, please contact your Concord Theatricals Licensing Representative.
The underworld (Hadestown) and aboveground.
“Achingly beautiful, thought-provoking, powerful and prophetic” - Newsday
“Sumptuous... Gorgeous... As good as it gets... You wish you could live in the glowy moment forever.” - The New York Times
“Utterly fabulous... arrives on Broadway with a furnace-like blast of creativity.” - The Hollywood Reporter
“A transporting musical hit... Anaïs Mitchell’s score is a joyful combination of folk, pop, Dixieland and blues that will make you want to rehear it as soon as the lights come up.” - Time Out
“Unforgettable. Simply one of the most exquisite works of musical storytelling I’ve seen in my more than 25 years as a theater critic. In its supple convergence of story and song, Hadestown represents a step forward for the art form.” - Los Angeles Times
“Visionary and ravishing. An intricate and gorgeous feat of songwriting, a vehicle for dynamite performances and a courageous experiment with form, Hadestown is cause for celebration.” - New York Magazine
“Heavenly. Haunting. Exquisite.” - WNYC
“The songs are gorgeous, the band is hot, and the lyrics are eerily apt for the times.” - The New Yorker
“Hadestown feels like something more intuitive, elemental, and finely woven than a traditional musical.” - The Guardian
Way Down Hadestown: The Characters From Myth to Musical Meredith Foster 28 May 2024
Hadestown - Come See How The World Could Be
Hadestown Cast on Good Morning, America
"All I've Ever Known" Music Video
Hadestown: The Creative Process
"When The Chips Are Down" Music Video
From Hadestown, With Love
In the Broadway production of Hadestown, Orpheus and the three Fates were performed as actor-muso ("Actor-Musician") roles. Licensees should utilize the following scores for those onstage instrumental parts: 1 Orpheus Score – Guitar 3 Fates Score – Violin, Accordion & Percussion (Finger Cym. & Tambourine) The band instrumentation is as follows: 1 Trombone – doubling Glockenspiel 1 Drums – Drum Set, Pandiero, Wood Block, sm. Bell or Triangle, Sus. Cym., Crash Cym., Surdo, Tambourine, Cowbell, Crasher, Splash Cym., Shaker, Metal Shaker, Morfbeats, clangy metal, Bells, Waterphone, Bowed Cym. & Crotale (C) 1 Keyboard-Conductor (performance) – doubling Accordion 1 Guitar 1 Violin 1 Cello 1 Bass
1 Orpheus Book – Vocal Book and Guitar Score (optional)3 Fates Book – Vocal Book and Fates Score (optional – Violin, Accordion & Percussion (Finger Cym. & Tambourine))9 Vocal Books – Vocal Book for all other performers1 Piano-Vocal (rehearsal)1 Trombone – doubling Glockenspiel1 Drums – Drum Set, Pandiero, Wood Block, sm. Bell or Triangle, Sus. Cym., Crash Cym., Surdo, Tambourine, Cowbell, Crasher, Splash Cym., Shaker, Metal Shaker, Morfbeats, clangy metal, Bells, Waterphone, Bowed Cym. & Crotale (C)1 Keyboard-Conductor (performance) – doubling Accordion1 Guitar1 Violin1 Cello1 Bass
Anaïs Mitchell is a Vermont-based singer-songwriter and the Tony and Grammy award-winning creator of the Broadway musical Hadestown, for which she wrote book, music and lyrics. Hadestown won eight Tony Awards overall, including Best Musical, as well as the Grammy for Best Mus ...
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