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AN R&H THEATRICALS TITLE
Full-Length Musical, Comedy / 5w, 4m plus ensemble
Music by Richard Rodgers Lyrics by Oscar Hammerstein II New Book by Douglas Carter Beane Original Book by Oscar Hammerstein II
The Broadway adaptation of the classic musical features new characters, a hilarious libretto, surprising twists, and an unforgettable score from Rodgers & Hammerstein.
Image: 2019 Paper Mill Playhouse Production (Evan Zimmerman for MurphyMade)
Nominee: Nine 2013 Tony Awards, including Best Book of a Musical and Best Revival of a Musical Winner! 2014 Tony Award for Best Costume Design for a Musical Winner! Three 2013 Drama Desk Awards, including Outstanding Orchestrations
Four versions of Rodgers & Hammerstein’s Cinderella are available for licensing. To compare and contrast the four versions, click here.
Rodgers + Hammerstein’s Cinderella (Broadway Version)is the new Broadway adaptation of the classic musical. This contemporary take on the classic tale features Rodgers & Hammerstein's most beloved songs, including “In My Own Little Corner,” “Impossible/It's Possible” and “Ten Minutes Ago,” alongside an up-to-date, hilarious and romantic libretto by Tony Award nominee Douglas Carter Beane.
Professional Artwork Available for Your Production of Rodgers + Hammerstein’s Cinderella (Broadway Version)!Concord Theatricals has collaborated with Subplot Studio to create high-quality artwork that complies with your license. Promoting your show has never been easier! Learn more at Subplot Studio.
Originally presented on television in 1957 starring Julie Andrews, Rodgers & Hammerstein’s Cinderella was twice remade for television, first in 1965 for Lesley Ann Warren and again in 1997, featuring Brandy and Whitney Houston. The original Broadway production of Rodgers + Hammerstein’s Cinderella opened in 2013 and starred Laura Osnes, Santino Fontana, Victoria Clark and Harriet Harris.
ELLA – Though no one notices her beneath her rags and quiet demeanor, she is op inionated, charismatic, passionate, beautiful, and funny. Idealistic and hopeful, she courageously challenges the prince to change the policies in his kingdom – and helps him discover who he truly is. Always her late father’s daughter, she is determined to see the good in everyone despite her hardships and suffering. We see her blossom into a confident woman.TOPHER – A misguided and lost prince who longs to do something important with his life. Though brave and heroic, he feels lonely and unfulfilled. Charming but NOT a stereotypical ladies man, he is thoughtful, appealing, and innocent – with an unforced goofy streak. Moral, genuine, and kindhearted, he is at a crossroads and must take control of his kingdom and his future.MADAME – Ella’s selfish stepmother. The epitome of vanity and fashion. A ravenous social climber who values wealth, status, and material possessions above all else. Unapologetically dismissive and sometimes cruel, Madame schemes her way up the social ladder.SEBASTIAN – The kingdom’s Lord Chancellor. Though he is Topher’s trusted advisor, he is devious and selfish. Using propaganda and dishonesty, he keeps Topher isolated and in the dark about his kingdom. Sebastian rules without regard for the lower class, or anyone other than himself – and truly believes he deserves to rule the kingdom.MARIE – A friend to Ella and the town’s resident crazy lady and beggar woman, Marie is actually a fairy godmother in disguise. Wise, warm, otherworldly, and charming, Marie rewards Ella for her kindness by making her dreams a possibility.GABRIELLE – Ella’s stepsister and daughter of Madame. Encouraged by her mother and sister to value material wealth and social status, she unenthusiastically joins them in their abrasive behavior. Quietly passionate, empathetic, and witty, she is drawn to Ella and Jean-Michel. Ironically aware that she doesn’t fit in.CHARLOTTE – Ella’s stepsister and daughter of Madame. Brash, self-centered, materialistic, snooty, loud, sassy, and bratty, she has a ridiculously high, but unfounded, opinion of herself. She never passes up an opportunity to be the center of attention.JEAN-MICHEL – A feisty, passionate peasant determined to make a change for the starving class. Impetuous. A firebrand, but lacks authority and isn’t taken seriously as a revolutionary. Has a crush on Gabrielle, though their courtship is forbidden because they are from different social classes. LORD PINKLETON – The Lord Chancellor’s right-hand man. Announces royal balls, banquets, and even the weather to the villagers.
ENSEMBLEGiant, Fox (Puppet), Raccoon (Puppet), Footman, Coachman, Knights, Peasants, Serfs, Townspeople, Ladies and Gentlemen of the Court, Servants, etc.
Note: In this show, the race of the characters is not pivotal to the plot. We encourage you to consider diversity and inclusion in your casting choices.
In this show, the race of the characters is not pivotal to the plot. We encourage you to consider diversity and inclusion in your casting choices.
Long ago in a kingdom far away.
“You want magic? Wait until you see Cinderella!” – Variety
“A timeless musical treasure! [Douglas Carter Beane’s] script crackles with sweetness and freshness.” – The Associated Press
“A full-on romantic fantasy!” – New York Post
“Lavish family entertainment! This new Cinderella is still built around the lush score for which the Rodgers & Hammerstein version is fondly remembered, including the swoony waltz ‘Ten Minutes Ago’ and the plaintive ballad 'In My Own Little Corner.’” – Time Out New York
“The cheeky humor of Beane’s book comes from imposing modern sensibilities (and contemporary lingo) on timeless storybook figures.” – Variety
“Cinderella is a timeless inspiration for young and old alike who want their dreams to come true.” – Las Vegas Sun
ON BREAKING CHARACTER
Cinderella Through the Yearsby Ted Chapin22 July 2020
“Me, Who Am I?” from Rodgers + Hammerstein’s Cinderella
“Impossible” from Rodgers + Hammerstein’s Cinderella
Rodgers + Hammerstein’s Cinderella (Broadway) – Highlights
2013 Tony Awards: Rodgers + Hammerstein’s Cinderella
Image: 2013 Broadway Production (Carol Rosegg)
Act I
“Overture” – Orchestra 1. “Prologue” – Ella & Chorus 1a. “Battle with the Giant” – Orchestra 2. “Me, Who Am I?” – Topher, Sebastian, Lord Pinkleton, Knights & Pageboys 2a. “Cinderella Enters” – Orchestra 2b. “Topher Rides Off” – Orchestra 3. “Parade of Purchases (Cinderella March) – Orchestra 4. “In My Own Little Corner” – Ella 4a. “In My Own Little Corner Tag/Your Majesty” – Ella, Lord Pinkleton & Topher 5. “The Prince Is Giving A Ball / Now Is The Time” – Sebastian & Jean-Michel 5a. “Fol-De-Rol (Scene Change)” – Marie 5b. “Venetian Glass” – Orchestra 6. “Off to the Ball (Cinderella March)” – Madame, Gabrielle & Charlotte 7. “In My Own Little Corner (Reprise)/Fol-De-Rol” – Ella & Marie 8. “Impossible” – Marie & Ella 8a. “Transformations” – Orchestra 8b. “It’s Possible” – Ella, Marie & Chorus 8c. “Into the Palace” – Orchestra 9. “Gavotte” – Orchestra 10. “Ridicule” – Lord Pinkleton & All 10a. “Kindness” – Orchestra 11. “Ten Minutes Ago” – Topher & Ella 12. “Waltz for a Ball” – Orchestra 13. “Ten Minutes Ago (Reprise)” – Ella 13a. Finale Act I – Orchestra
Act II
14. Entr’acte – Orchestra 15. “Stepsister’s Lament” – Charlotte & Ladies of the Court 15a. “Call to Arms” – Lord Pinkleton, Topher, Lords of the Court, Pages, Ella, Footman & Coachman 16. “The Pursuit” – Lord Pinkleton, Topher, Lords of the Court, Pages, Ella, Footman & Coachman 16a. “He Was Tall” – Ella 17. “When You’re Driving Through The Moonlight” – Ella, Charlotte, Gabrielle & Madame 18. “A Lovely Night” – Ella 18a. “It Was You Tonight, Wasn’t It?” – Orchestra 19. “A Lovely Night (Reprise)” – Gabrielle & Ella 20. “Loneliness of Evening” – Topher & Ella 21. “Announcing the Banquet (The Prince is Giving a Ball Reprise)” – Sebastian, Lord Pinkleton, Heralds & Madame 21a. “Madame Rips the Dress” – Orchestra 22. “There’s Music in You” – Marie 23. “The Banquet” – Lord Pinkleton & Herald Trumpeters 23a. “Now is the Time (Underscore)” – Orchestra 24. “Now is the Time (Reprise)/More Fol-De-Rol” – Jean-Michel, Gabrielle and Marie 25. “King Topher” – Crowd 26. “Do I Love You Because You’re Beautiful?” – Topher & Ella 26a. “Midnight Again” – Orchestra 26b. “Eight O’Clock and All is Well” – Lord Pinkleton 26c. “Ella in Rags” – Marie 27. “The Proposal” – Topher, Ella & Company 28. “The Wedding (Finale) – Ella, Topher, Lord Pinkleton, Marie & Company 29. “Bows” – Full Company 30. “Exit Music” – Orchestra
25 Vocal Book 1 Piano-Conductor (rehearsal & performance)
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Richard Rodgers' contribution to the musical theatre of his day was extraordinary, and his influence on the musical theatre of today and tomorrow is legendary. His career spanned more than six decades, his hits ranging from the silver screens of Hollywood to the bright light ...
Douglas Carter Beane was Artistic Director for Drama Dept. at the Greenwich House for ten years. As director/writer his current projects include the musical Hood (score by Lewis Flinn, Dallas Theater Center), Noel Coward’s Me and The Girls (reading at Roundabout, being develo ...
Richard Rodgers, Oscar Hammerstein II
Multiple Authors
Oscar Hammerstein II, Richard Rodgers